the myth of pishtaco plays an important role in the Vargas Llosa’s novel, not just as character but also in the plot’s structure. The paper aims to analyze the relation between the narrative techniques used in the novel and the social function of the indigenous tale. The myth, that provides a restructuring of reality in social critical situations, becomes in the novel a metaphor of literature as a rewrite of the world, a fundamental topic in the Vargas Llosas’s theory of narrative.El mito del pishtaco juega un papel relevante en la novela de Vargas Llosa, no sólo desde un punto de vista temático, sino también a nivel formal. El presente ensayo propone un análisis de la relación entre las técnicas narrativas empleadas en la construcción de l...
The purpose of this study is to explore the relationship, from an intertextual perspective, between...
This study is focused on the fi rst creat ive period of the novel ist Mario Vargas Llosa, which is b...
After a short introduction on reality, fiction and memory in Vargas Llosa’s La casa verde (1966), th...
Mario Vargas Llosa chooses different parts of the territory of America as a place for his fiction. W...
quesQuien mato a Palomino Molero? (1986) has received little attention by critics and scholars. What...
El presente texto se propone mostrar la manera en la que Vargas Llosa trata el tema histórico del en...
(in English): The focus of this thesis is on the narrative strategies of Mario Vargas Llosa in two s...
Starting out with the Post-Modern critique of History in recent Spanish-American novels, this work a...
Mario Vargas Llosa escoge distintas porciones del territorio de América como escenario de sus obras...
The present article focuses on four narrative texts by Peruvian writer Mario Vargas Llosa that deal ...
The thesis explores Mario Vargas Llosa\u27s Historia de Mayta in light of recent studies of Latin Am...
Este artículo aborda cuatro textos narrativos del escritor peruano Mario Vargas Llosa relacionados c...
Nowadays, one of the most concrete ways to measure an author's cultural and artistic impact is the a...
This study focuses on the novel La guerra del fin del mundo by the Peruvian author Mario Vargas Llos...
In his novels The Green House (1966), The Storyteller (1989) and Death in the Andes (1996), Mario Va...
The purpose of this study is to explore the relationship, from an intertextual perspective, between...
This study is focused on the fi rst creat ive period of the novel ist Mario Vargas Llosa, which is b...
After a short introduction on reality, fiction and memory in Vargas Llosa’s La casa verde (1966), th...
Mario Vargas Llosa chooses different parts of the territory of America as a place for his fiction. W...
quesQuien mato a Palomino Molero? (1986) has received little attention by critics and scholars. What...
El presente texto se propone mostrar la manera en la que Vargas Llosa trata el tema histórico del en...
(in English): The focus of this thesis is on the narrative strategies of Mario Vargas Llosa in two s...
Starting out with the Post-Modern critique of History in recent Spanish-American novels, this work a...
Mario Vargas Llosa escoge distintas porciones del territorio de América como escenario de sus obras...
The present article focuses on four narrative texts by Peruvian writer Mario Vargas Llosa that deal ...
The thesis explores Mario Vargas Llosa\u27s Historia de Mayta in light of recent studies of Latin Am...
Este artículo aborda cuatro textos narrativos del escritor peruano Mario Vargas Llosa relacionados c...
Nowadays, one of the most concrete ways to measure an author's cultural and artistic impact is the a...
This study focuses on the novel La guerra del fin del mundo by the Peruvian author Mario Vargas Llos...
In his novels The Green House (1966), The Storyteller (1989) and Death in the Andes (1996), Mario Va...
The purpose of this study is to explore the relationship, from an intertextual perspective, between...
This study is focused on the fi rst creat ive period of the novel ist Mario Vargas Llosa, which is b...
After a short introduction on reality, fiction and memory in Vargas Llosa’s La casa verde (1966), th...