The documentary HayMotivo.com is composed of thirty-three short films, with the average duration of three minutes each, that can be accessed on the website HayMotivo.com or on the sites that host videos on the Internet such as the page of the newspaper El Pais (www.elpais.es) or on Youtube.com. This article aims to demonstrate through a practical examination how the object-medium, the Internet, and the strategies of production and editing, in terms of expression, create an economy of language in terms of content, experienced by the Internet user-viewer, at the level of enunciation. To that end, we have looked at the site HayMotivo.com as a whole, based on the semiotic approach to practices, proposed by Jacques Fontanille, and analysed of one...
The article aims to highlight semiotic contributions to the communication studies, taking into accou...
Introduction. The new exhibition ways for the inmotion images have brought the necessity to identif...
Lev Manovich’s statement that we live the database cultural form can be verified when one contemplat...
The documentary HayMotivo.com is composed of thirty-three short films, with the average duration of t...
Este trabalho analisa a coletânea de vídeos HayMotivo.com, definida como documentário on-line (docwe...
This research aims to examine the interaction rhizomes of the web documentary One Millionth Tower fr...
Increasing use is being made of the virtual space of the blogosphere and YouTube to exhibit and circ...
This article presents an initial mapping of the ways in which the user is constructed on YouTube and...
Finding new distribution channels for audiovisual producers to exhibit their work has expanded to ...
This work seeks to understand how digital native content builds its narratives in relation to langua...
This paper discusses, under the perspective of French Semiotics, both transmediality and intermedial...
In this article, the main problems related to the dissemination of history in film and television ar...
El lector puede encontrar un análisis del significado en las prácticas semióticas de producción audi...
This article aims to analyses, under semiotics point of view, a media product for children which is ...
COSTA, Rafael Rodrigues da. A TV na web: percursos da reelaboração de gêneros audiovisuais na era da...
The article aims to highlight semiotic contributions to the communication studies, taking into accou...
Introduction. The new exhibition ways for the inmotion images have brought the necessity to identif...
Lev Manovich’s statement that we live the database cultural form can be verified when one contemplat...
The documentary HayMotivo.com is composed of thirty-three short films, with the average duration of t...
Este trabalho analisa a coletânea de vídeos HayMotivo.com, definida como documentário on-line (docwe...
This research aims to examine the interaction rhizomes of the web documentary One Millionth Tower fr...
Increasing use is being made of the virtual space of the blogosphere and YouTube to exhibit and circ...
This article presents an initial mapping of the ways in which the user is constructed on YouTube and...
Finding new distribution channels for audiovisual producers to exhibit their work has expanded to ...
This work seeks to understand how digital native content builds its narratives in relation to langua...
This paper discusses, under the perspective of French Semiotics, both transmediality and intermedial...
In this article, the main problems related to the dissemination of history in film and television ar...
El lector puede encontrar un análisis del significado en las prácticas semióticas de producción audi...
This article aims to analyses, under semiotics point of view, a media product for children which is ...
COSTA, Rafael Rodrigues da. A TV na web: percursos da reelaboração de gêneros audiovisuais na era da...
The article aims to highlight semiotic contributions to the communication studies, taking into accou...
Introduction. The new exhibition ways for the inmotion images have brought the necessity to identif...
Lev Manovich’s statement that we live the database cultural form can be verified when one contemplat...