This article analyses two of the most significant monuments in Islamic Spain: the Great Mosque in Cordoba and the Alhambra in Granada. Both are treated with regard to the political history of the region. The article stresses the role of Byzantine Christian artists in the decoration of the Mosque, as well as the relevance of decorative arts in both monuments, particularly the occurrence of Quranic mentions of luxury and ornament. It shows the importance, in the Alhambra, of the ensemble as an affirmation of the Nasrid Dynasty, by means of opulent decoration and the epigraphic poetry of Ibn Zamrak in the Fountain of Lions, declaring the genealogical roots of Muhammad VO presente artigo analisa dois dos mais significativos monumentos da Espanh...
As with any major monument that figures prominently in architectural history, the Great Mosque of Co...
The aim of this article is to study some aspects of the Great Mosque of Tlemcen based on a planimetr...
In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an es...
This article analyses two of the most significant monuments in Islamic Spain: the Great Mosque in Co...
This article examines the impact of nineteenth- and early twentieth-century European perspectives on...
This article analyzes the Arabic texts and the specific semantics with which the edenic starts to be...
This art history thesis focuses on the structure of the Alhambra and the significance of elements of...
During the three years between my first visit to Spain and my arrival this past September, the one t...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
Cordoba, Spain is currently the center of a dispute over its most highly recognizable symbol: the Mo...
Este trabalho trata de mostrar que nem todos os árabes eram nômades e que mesmo estes desempenharam ...
[EN] The hispano-muslim art is the heritage and the descendant of other artistic traditions giving i...
Este trabalho trata de mostrar que nem todos os árabes eram nômades e que mesmo estes desempenharam ...
As with any major monument that figures prominently in architectural history, the Great Mosque of Co...
The aim of this article is to study some aspects of the Great Mosque of Tlemcen based on a planimetr...
In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an es...
This article analyses two of the most significant monuments in Islamic Spain: the Great Mosque in Co...
This article examines the impact of nineteenth- and early twentieth-century European perspectives on...
This article analyzes the Arabic texts and the specific semantics with which the edenic starts to be...
This art history thesis focuses on the structure of the Alhambra and the significance of elements of...
During the three years between my first visit to Spain and my arrival this past September, the one t...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
My first exposure to the epigraphic program of the Great Mosque of Cordoba, published in 2001, came ...
Cordoba, Spain is currently the center of a dispute over its most highly recognizable symbol: the Mo...
Este trabalho trata de mostrar que nem todos os árabes eram nômades e que mesmo estes desempenharam ...
[EN] The hispano-muslim art is the heritage and the descendant of other artistic traditions giving i...
Este trabalho trata de mostrar que nem todos os árabes eram nômades e que mesmo estes desempenharam ...
As with any major monument that figures prominently in architectural history, the Great Mosque of Co...
The aim of this article is to study some aspects of the Great Mosque of Tlemcen based on a planimetr...
In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an es...