At the border between patterns and words, epigraphic coins seem to be good supports to create hinted messages in the celtic mind. In this way, I focused my researches on bronze coins from the Languedoc, with the legend BHTAPPATIC, and which prototype has been first virtually reconstructed.A la frontière des images et des mots, les monnaies épigraphes semblent être de bons supports pour élaborer des messages allusifs dans l’esprit celtique. C’est sur une série de bronzes languedociens à légende BHTAPPATIC, dont le prototype a été reconstitué au préalable, que j’ai concentré mes recherches en la matière
L étude se fonde sur environ 600 images monétaires attribuées aux Arvernes, Bituriges, Carnutes, Édu...
session : Conditions for the adoption of money, crossed contributions from weighted metal to Ancient...
The sequence-marks of the first imitations of the stater of Philippus II Sequence-marks ornate the ...
Celtic coins are either ornated with simple patterns which are clear or decorated with hidden pictur...
Celtic coining in the Pô valley (IVth-Ist c. B.C.) Celtic coins of Northern Italy were first modelle...
The study is based on approximately 600 monetary images attributed to Arverni, Bituriges, Carnutes, ...
Some aspects of the links between coinage and religion in Gaul. Since there is no religious literatu...
From classical realism to celtic stylisation in the coins. The design of the coinage of the end of ...
Celtic coins in Mediterranean Gaul. The author studies the beginning of the coinage in Mediterranean...
International audienceDuring the final phase of the Bronze Age (Bronze Final IIIb/Ha B2-3), pottery ...
L’étude se fonde sur environ 600 images monétaires attribuées aux Arvernes, Bituriges, Carnutes, Édu...
The “As de Nimes”, bronze coin of Augustus and Agrippa winners of Antony and Cleopatra,<b> </b>secur...
Publishing numismatic research requires that coin inscriptions be transcribed, with more or less pre...
Reconstructing monetary engraving with modern techniques. Application to a Preaugustan monetary type...
International audienceAbstract: Since the pioneering work of P. Du Chatellier (1901a et b), it has g...
L étude se fonde sur environ 600 images monétaires attribuées aux Arvernes, Bituriges, Carnutes, Édu...
session : Conditions for the adoption of money, crossed contributions from weighted metal to Ancient...
The sequence-marks of the first imitations of the stater of Philippus II Sequence-marks ornate the ...
Celtic coins are either ornated with simple patterns which are clear or decorated with hidden pictur...
Celtic coining in the Pô valley (IVth-Ist c. B.C.) Celtic coins of Northern Italy were first modelle...
The study is based on approximately 600 monetary images attributed to Arverni, Bituriges, Carnutes, ...
Some aspects of the links between coinage and religion in Gaul. Since there is no religious literatu...
From classical realism to celtic stylisation in the coins. The design of the coinage of the end of ...
Celtic coins in Mediterranean Gaul. The author studies the beginning of the coinage in Mediterranean...
International audienceDuring the final phase of the Bronze Age (Bronze Final IIIb/Ha B2-3), pottery ...
L’étude se fonde sur environ 600 images monétaires attribuées aux Arvernes, Bituriges, Carnutes, Édu...
The “As de Nimes”, bronze coin of Augustus and Agrippa winners of Antony and Cleopatra,<b> </b>secur...
Publishing numismatic research requires that coin inscriptions be transcribed, with more or less pre...
Reconstructing monetary engraving with modern techniques. Application to a Preaugustan monetary type...
International audienceAbstract: Since the pioneering work of P. Du Chatellier (1901a et b), it has g...
L étude se fonde sur environ 600 images monétaires attribuées aux Arvernes, Bituriges, Carnutes, Édu...
session : Conditions for the adoption of money, crossed contributions from weighted metal to Ancient...
The sequence-marks of the first imitations of the stater of Philippus II Sequence-marks ornate the ...