This paper discusses some relations between time and technique in photography, in terms of Walter Benjamin and José Luis Brea, but also of the practice itself. From these relations, the paper proposes concepts of time and sight in the photographic act that confront the myth that places it in the role of an instant technique that preserves the past. Hiroshi Sugimoto and Wolfgang Tillmans are examples of these proposed conceptions, as both reflect in the practice on time and technique.Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter Benjamin y José Luis Brea, pero también de la misma práctica. A partir de dichas relaciones, el texto propone concepciones de tiempo y mirada en el acto fotográfi...
Este artigo aborda as fases da história da fotografia propostas por Walter Benjamin, no ensaio Peque...
This thesis explores the relationship between photography and painting from the mid-nineteenth-centu...
During the twentieth century, history approached images as documents in many ways, but omitted the e...
This paper discusses some relations between time and technique in photography, in terms of Walter Be...
Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter ...
Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter ...
Time inevitably adheres to photography, from the early catches over eight hours of exposure to the m...
The strip technique used during this research allows to create new forms for the photographically re...
The optical unconscious studied by Walter Benjamin and Rosalind Krauss implies a visual instantaneit...
The possibility to reflect time in the photographic medium has certain aesthetic constrains derived ...
A través de este estudio, que analiza la obra de los pintores Antonio López García y Euan Uglow, pre...
Photography is fundamentally a time-based medium. The relationships between photography and time are...
Despite our stereotypical ideas on photographic images as a snapshots (slices of time), photography ...
Tese de mestrado, Arte Multimédia - Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 20...
Propõe-se enfatizar a relação tempo/movimento que se revela nas imagens fotográficas, bem como trata...
Este artigo aborda as fases da história da fotografia propostas por Walter Benjamin, no ensaio Peque...
This thesis explores the relationship between photography and painting from the mid-nineteenth-centu...
During the twentieth century, history approached images as documents in many ways, but omitted the e...
This paper discusses some relations between time and technique in photography, in terms of Walter Be...
Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter ...
Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter ...
Time inevitably adheres to photography, from the early catches over eight hours of exposure to the m...
The strip technique used during this research allows to create new forms for the photographically re...
The optical unconscious studied by Walter Benjamin and Rosalind Krauss implies a visual instantaneit...
The possibility to reflect time in the photographic medium has certain aesthetic constrains derived ...
A través de este estudio, que analiza la obra de los pintores Antonio López García y Euan Uglow, pre...
Photography is fundamentally a time-based medium. The relationships between photography and time are...
Despite our stereotypical ideas on photographic images as a snapshots (slices of time), photography ...
Tese de mestrado, Arte Multimédia - Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 20...
Propõe-se enfatizar a relação tempo/movimento que se revela nas imagens fotográficas, bem como trata...
Este artigo aborda as fases da história da fotografia propostas por Walter Benjamin, no ensaio Peque...
This thesis explores the relationship between photography and painting from the mid-nineteenth-centu...
During the twentieth century, history approached images as documents in many ways, but omitted the e...