This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, it analyses the heretic discourse concerning images. On the other hand, it examines the theological discourse as expressed by ecclesiastical authorities. In so doing, it is possible to observe a slow articulation of a figuration- and image-related orthodoxy. It is thus possible to observe how imagination concerning imagery was considerably limited by the eventual imposition of a canon. How the concept of “heresy” was effected with this purposes is central to this paper. El siguiente texto responde a la pregunta “¿Hubo imágenes heréticas en la Edad Media?”. Se analiza, por una parte, el discurso sobre la imagen de los movimientos heréticos dura...
This paper approches one of the most unknown aspects of religious images: their iconology. That is, ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The article searches for the place of "beauty" as a transcendental property, as well as the place of...
This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, i...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The hermeneutics of the Christian Middle Ages assign the religious image and its aesthetic function ...
Abstract and quasi-abstract motifs were widely used in the religious images of the central Middle Ag...
If it is true that works of art belong to a context, it is also important to bear in mind that they ...
ABSTRACT: Iconographic studies often overlook the formal questions of an image, which nevertheless c...
RESUMEN: Las imágenes en la actualidad conforman un sugerente campo de estudio para los historiadore...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
What is to be understood as «power of images»? The documents produced by the Roman Inquisition open ...
This article seeks to consolidate the underlying pedagogical functionality of medieval art. The imag...
This article presents the relationship between the images that emerge from the visionary experience ...
Facing the mediatic image's crushing power in contemporary societies, can we conceive the locus of i...
This paper approches one of the most unknown aspects of religious images: their iconology. That is, ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The article searches for the place of "beauty" as a transcendental property, as well as the place of...
This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, i...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The hermeneutics of the Christian Middle Ages assign the religious image and its aesthetic function ...
Abstract and quasi-abstract motifs were widely used in the religious images of the central Middle Ag...
If it is true that works of art belong to a context, it is also important to bear in mind that they ...
ABSTRACT: Iconographic studies often overlook the formal questions of an image, which nevertheless c...
RESUMEN: Las imágenes en la actualidad conforman un sugerente campo de estudio para los historiadore...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
What is to be understood as «power of images»? The documents produced by the Roman Inquisition open ...
This article seeks to consolidate the underlying pedagogical functionality of medieval art. The imag...
This article presents the relationship between the images that emerge from the visionary experience ...
Facing the mediatic image's crushing power in contemporary societies, can we conceive the locus of i...
This paper approches one of the most unknown aspects of religious images: their iconology. That is, ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The article searches for the place of "beauty" as a transcendental property, as well as the place of...