In this article, we propose an approach of two works of Nicholas of Cusa written in the year 1453: De pace fidei and De visione Dei. First, is conceptualized its theatral dimension from the devices convocated in each of this two texts. Such devices show how the dialogical dimension, if it is the exposition form in some works of Nicolas of Cusa, it’s also present in texts that do not have the dialogue form. Second, we call the attention to the philosophy and theology of word and language implicitly or explicitly developed in these two works.Procura-se, neste artigo, fazer uma abordagem de duas obras de Nicolau de Cusa compostas no ano de 1453: o De pace fidei e o De visione Dei. Nessa abordagem, por um lado, perspectiva-se a dimensão teatral...