Principles of interpretation of compositional and genre-drama regularities of cyclic works by J.S. Bach

Dramatic principles of cello orders are reflected in performance. The article is devoted to genre and figurative stylistics of cello orders by J. S .Bach. The originality of the genre stylistics of the whole cycle is expressed in logically established concept. Its architectonics is driven by unity of content, fastened by one tonality, based on the metric and tempo contrast, covered by one art idea and one general mood. When selecting parts for separate performance it´s necessary to consider the principles of recapitulation and compositional framing of cycles typical for cello orders, it´s important to subordinate to a certain logic not only a tempo "breath" inside parts, but also the cesura depth between them