Add to ORKGThis essay charts the emergence of auteur structuralism in Britain from 1967-76 and the polemical debates that erupted between its adherents (Jim Kitses, Peter Wollen, Alan Lovell) on the one hand, and Robin Wood, a defender of traditional auteur theory, on the other. The essay considers the epistemological values behind the debate, and ends by outlining the incompatible types of knowledge and evidence each side in the debate hel
The distinctive concepts, relationships between concepts, criteria and procedures for judgement-maki...
It is widely recognized that students' vernacular engagements with a subject such as films can inter...
This chapter contrasts the broadly empirical, pluralist, and construction device–oriented approaches...
This essay charts the emergence of auteur structuralism in Britain from 1967-76 and the polemical de...
The chapter reviews the history and cultural impact of debates about authorship and cinema, from the...
British film critic Robin Wood began to publish on film in 1960. Since then, he has written or co-wr...
A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for ...
Includes bibliographical references (pages 62-63)This thesis traces the development of the auteur th...
Cet article se veut une contribution à l’histoire de la théorie du cinéma. Nous visons à démontrer q...
Since the 1970s, cinema studies has been informed by a theoretical framework comprised out of struct...
The Routledge Encyclopedia of Film Theory is an international reference work representing the essent...
168 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.This study analyses the terms...
In “Ideology, Genre, Auteur,” Robin Wood says that by approaching film through the framework of ideo...
The politique des auteurs was, from the period 1968 through 1973, the dominant methodology in cinema...
French writings on British cinema have tended, and continue, to be dominated by one single figure. D...
The distinctive concepts, relationships between concepts, criteria and procedures for judgement-maki...
It is widely recognized that students' vernacular engagements with a subject such as films can inter...
This chapter contrasts the broadly empirical, pluralist, and construction device–oriented approaches...
This essay charts the emergence of auteur structuralism in Britain from 1967-76 and the polemical de...
The chapter reviews the history and cultural impact of debates about authorship and cinema, from the...
British film critic Robin Wood began to publish on film in 1960. Since then, he has written or co-wr...
A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for ...
Includes bibliographical references (pages 62-63)This thesis traces the development of the auteur th...
Cet article se veut une contribution à l’histoire de la théorie du cinéma. Nous visons à démontrer q...
Since the 1970s, cinema studies has been informed by a theoretical framework comprised out of struct...
The Routledge Encyclopedia of Film Theory is an international reference work representing the essent...
168 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.This study analyses the terms...
In “Ideology, Genre, Auteur,” Robin Wood says that by approaching film through the framework of ideo...
The politique des auteurs was, from the period 1968 through 1973, the dominant methodology in cinema...
French writings on British cinema have tended, and continue, to be dominated by one single figure. D...
The distinctive concepts, relationships between concepts, criteria and procedures for judgement-maki...
It is widely recognized that students' vernacular engagements with a subject such as films can inter...
This chapter contrasts the broadly empirical, pluralist, and construction device–oriented approaches...