Add to ORKGThis essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them
The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of bo...
Sebald Beham\u27s kermis prints, published in Nuremberg from 1528 to the mid-1530s, are discussed wi...
Large works on paper, in particular ones that covered walls, were new in the realm of printed works ...
This essay makes known two unpublished documents from the last years of the life of Sebald Beham (15...
The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Go...
Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reas...
The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Go...
Sebald Beham (1500-1550) was a Northern Renaissance artist born in Nuremberg, Germany. His works inc...
The prints of Sebald Beham, and his brother Barthel, were the subject of a recent exhibition titled ...
The brothers (1) Sebald Beham and (2) Barthel Beham, whose oeuvre consists mainly of prints, belonge...
The plight of painters and other artists was not an easy one when the Reformation made inroads into ...
The German so-called Little Masters (Kleinmeister) were painter-engravers, active in the first half ...
1\. Einleitung 5 2\. Der Sammler und sein Umfeld 12 3\. Die Sammlung Behaim im Überblick 24 3.1 Dru...
Erhard Schön was the most prolific draughtsman in Nuremberg after Sebald Beham during the second qua...
This paper, as the title indicates, is an essay written to avoid writing a philosophical discussion ...
The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of bo...
Sebald Beham\u27s kermis prints, published in Nuremberg from 1528 to the mid-1530s, are discussed wi...
Large works on paper, in particular ones that covered walls, were new in the realm of printed works ...
This essay makes known two unpublished documents from the last years of the life of Sebald Beham (15...
The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Go...
Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reas...
The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Go...
Sebald Beham (1500-1550) was a Northern Renaissance artist born in Nuremberg, Germany. His works inc...
The prints of Sebald Beham, and his brother Barthel, were the subject of a recent exhibition titled ...
The brothers (1) Sebald Beham and (2) Barthel Beham, whose oeuvre consists mainly of prints, belonge...
The plight of painters and other artists was not an easy one when the Reformation made inroads into ...
The German so-called Little Masters (Kleinmeister) were painter-engravers, active in the first half ...
1\. Einleitung 5 2\. Der Sammler und sein Umfeld 12 3\. Die Sammlung Behaim im Überblick 24 3.1 Dru...
Erhard Schön was the most prolific draughtsman in Nuremberg after Sebald Beham during the second qua...
This paper, as the title indicates, is an essay written to avoid writing a philosophical discussion ...
The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of bo...
Sebald Beham\u27s kermis prints, published in Nuremberg from 1528 to the mid-1530s, are discussed wi...
Large works on paper, in particular ones that covered walls, were new in the realm of printed works ...