This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors
In the 1930s, a surging interest in early American vernacular arts, collectively referred to as folk...
In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist ch...
Controversy, awe, and revelation distinguish Judy Chicago\u27s now 40 year career in the art world. ...
From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist characte...
The Société des Femmes Artistes Modernes (FAM) opened up a productive space for women artists who we...
This essay elaborates on women-only shows organized in post-war Europe by the associations of (women...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
One way to reassert the significance of women artists is to recognize their teaching as a unique for...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
For women artists, retrospectives matter more – and differently. In When we Dead Awaken: Writing as ...
This article calls for a reappraisal of the feminist discussion around painting in relation to conte...
Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Gr...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
In the 1930s, a surging interest in early American vernacular arts, collectively referred to as folk...
In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist ch...
Controversy, awe, and revelation distinguish Judy Chicago\u27s now 40 year career in the art world. ...
From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist characte...
The Société des Femmes Artistes Modernes (FAM) opened up a productive space for women artists who we...
This essay elaborates on women-only shows organized in post-war Europe by the associations of (women...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
One way to reassert the significance of women artists is to recognize their teaching as a unique for...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
For women artists, retrospectives matter more – and differently. In When we Dead Awaken: Writing as ...
This article calls for a reappraisal of the feminist discussion around painting in relation to conte...
Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Gr...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
In the 1930s, a surging interest in early American vernacular arts, collectively referred to as folk...
In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the...
This article charts the establishment of the UK Association of Art Historians and its publishing org...