Restoration Staging 1660–74 cuts through prevailing ideas of Restoration theatre and drama to read early plays in their original theatrical contexts. Tim Keenan argues that Restoration play texts contain far more information about their own performance than previously imagined. Focusing on specific productions and physical staging at the three main theatres operating in the first years of the Restoration – Vere Street, Bridges Street and Lincoln’s Inn Fields – Keenan analyses stage directions, scene headings and other performance clues embedded in the play-texts themselves. These close readings shed new light on staging practices of the period, building a new model of early Restoration staging. Restoration Staging, 1660–74 takes accou...
Regardless of genre, Shakespeare’s plays open in many different ways on the stage. Some openings com...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
Restoration Staging 1660-74 cuts through received notions of Restoration theatre and drama to read e...
Inheriting the Stage: Pre-Interregnum Drama in the Restoration is a study of the intersection of Res...
Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
Introducing readers to the key texts, theatrical practice and context of late seventeenth-century dr...
The plays staged in London immediately after the Restoration are often said to reflect an unqualifie...
Robert Miller\u27s presentation, Theatre during the English Restoration Period , details the numero...
Each volume has also special t.-p.Edition of 250 sets.[v. 1] The life of Timon of Athens (the text o...
Early modern drama was a product of the new theatrical spaces that began to open from the 1560s onwa...
This article examines what the emerging field of rehearsal studies can offer scholars of Shakespeare...
No more published.Each volume has also special t.-p.Edition of 250 sets. This set no. 87. Arbitraril...
How does our understanding of early modern performance, culture and identity change when we decentre...
Regardless of genre, Shakespeare’s plays open in many different ways on the stage. Some openings com...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
Restoration Staging 1660-74 cuts through received notions of Restoration theatre and drama to read e...
Inheriting the Stage: Pre-Interregnum Drama in the Restoration is a study of the intersection of Res...
Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
Introducing readers to the key texts, theatrical practice and context of late seventeenth-century dr...
The plays staged in London immediately after the Restoration are often said to reflect an unqualifie...
Robert Miller\u27s presentation, Theatre during the English Restoration Period , details the numero...
Each volume has also special t.-p.Edition of 250 sets.[v. 1] The life of Timon of Athens (the text o...
Early modern drama was a product of the new theatrical spaces that began to open from the 1560s onwa...
This article examines what the emerging field of rehearsal studies can offer scholars of Shakespeare...
No more published.Each volume has also special t.-p.Edition of 250 sets. This set no. 87. Arbitraril...
How does our understanding of early modern performance, culture and identity change when we decentre...
Regardless of genre, Shakespeare’s plays open in many different ways on the stage. Some openings com...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...