Tertiary music education and musicians' careers

© 2018 Dr. Jenni Anne HillmanAustralian tertiary institutions offer many courses for musicians intent on working in the music industry. There has been, however, limited research into how these courses from different providers contribute to musicians’ careers. The rationale for conducting this research was to provide insights to educators on how they might design courses to meet better the needs of musicians preparing to work in the music industry. A review of the literature highlighted the concerns of educators and academics about the balance in curriculum emphasis between musical expertise and industry practice. This study examined the merits of different pedagogical paradigms through the experiences of graduates from different tertiary music offerings. Using a mixed methods approach and a descriptive, interpretive research design, this study explored the experience of tertiary music graduates and how their learning contributed to establishing their music careers. Data were analysed around three themes, (1) the characteristics of music portfolio careers, (2) tertiary music education experiences and graduate outcomes, and (3) the ongoing professional development needs of musicians for sustaining a music career. The findings demonstrate the formidable challenges of working in a music portfolio career including the self- management of a career in a precarious employment market. Such careers required a mix of work realms such as music practice, teaching and entrepreneurial activities to generate new work. Consequently, career trajectories were found to be necessarily circuitous and “messy” but there is evidence that tertiary music education is a significant intervention in the continuum of learning for a musician’s career. It is argued that there are five broad categories of proficiencies that are required first to establish and then sustain a music career. The pedagogies and course emphases from different tertiary music providers in the Australian state of Victoria contributed in different ways towards musicians’ careers. Furthermore, there were some shortcomings in requisite proficiencies which suggest the potential for further curricular development. This potential lay in both undergraduate courses to better prepare musicians for starting out in their careers, and post-graduate courses to provide further development for the sustainability of musicians’ careers