Process & Possibilities, curated by Dr Lesley Logue, demonstrates multi-layered, experimental and expressive forms of mark making using traditional printmaking techniques. Through their engagement with printmaking and its responsive nature the artists selected have helped to lay and then build upon the foundations of printmaking as a fine-art practice in Scotland and beyond
This research explores the use of hand printed surfaces upon digital prints with the aim of creating...
This presentation will describe artists, practitioners and scientists, who were interested in develo...
Stephen Mumberson, Vice Chair of the Printmakers Council of the UK and I made the selection for the ...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
This practice-led research explores creative opportunities within fine art printmaking. In the conte...
Exhibition dates: 05 October - 18 NovemberIn the discipline of printmaking, innovation and utility h...
The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 20...
This exhibition and publication explores some of the current practices by artists working with print...
This research was initiated by questions raised from the researchers professional activities in fine...
This project is an opportunity to develop an already established printmaking practice. Because this ...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
Collaborations: Aberystwyth Paper Press Print is a portfolio celebrating the diversity of printmakin...
Textile designers have begun digitally crafting surface through exploring materiality, resulting in ...
This document provides written support for the thesis exhibition, From Wasteland to Praxis: Uncerta...
A Lot of Things Have Happened is a rare chance to see work from the UK by artists who use a variety ...
This research explores the use of hand printed surfaces upon digital prints with the aim of creating...
This presentation will describe artists, practitioners and scientists, who were interested in develo...
Stephen Mumberson, Vice Chair of the Printmakers Council of the UK and I made the selection for the ...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
This practice-led research explores creative opportunities within fine art printmaking. In the conte...
Exhibition dates: 05 October - 18 NovemberIn the discipline of printmaking, innovation and utility h...
The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 20...
This exhibition and publication explores some of the current practices by artists working with print...
This research was initiated by questions raised from the researchers professional activities in fine...
This project is an opportunity to develop an already established printmaking practice. Because this ...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
Collaborations: Aberystwyth Paper Press Print is a portfolio celebrating the diversity of printmakin...
Textile designers have begun digitally crafting surface through exploring materiality, resulting in ...
This document provides written support for the thesis exhibition, From Wasteland to Praxis: Uncerta...
A Lot of Things Have Happened is a rare chance to see work from the UK by artists who use a variety ...
This research explores the use of hand printed surfaces upon digital prints with the aim of creating...
This presentation will describe artists, practitioners and scientists, who were interested in develo...
Stephen Mumberson, Vice Chair of the Printmakers Council of the UK and I made the selection for the ...