Add to ORKGDr Sarahleigh Castelyn, Choreographer, Researcher, and Senior Dance Lecturer at the University of East London, describes Flatfoot’s work in training dancers. This article, first published in the Winter 2012 edition of Animated magazine, is reproduced by permission of Foundation for Community Dance. (c) 2012 All Rights Reserved. See www.communitydance.org.uk/animated for more information
This article was published in a special edition of the Theatre, Dance and Performance Training journ...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Dancers dedicate their lives to their art. The lucky few dancers who reach professional careers, mus...
Choreography articulates the body’s somatic and cultural identity, and a reading of South African da...
On Saturday 6 January 1996, gumboot dance team leader Blanket Mkhize threw a party and slaughtered a...
Classically trained in dance, DeAma Battle became interested in Africa-rooted dance in the 1960s. Sh...
Both geography and choreography are concerned with the movement of the body in space, and in the con...
Presented at the Hiphop Symposia in Johannesburg, this article is a shortened version of an Honours ...
This article is a result of a small-scale interview-based study that explored the social conditions ...
The research for this thesis won the 2nd place award in the 2009 Denman Research Forum in the catego...
This paper acknowledges the influences that a generation Y population brings to dance training metho...
Australia is proud of its rich and varied array of the Arts depicting a range of cultural diversity ...
Australia is proud of its rich and varied array of the Arts depicting a range of cultural diversity ...
Between the 17th and 20th centuries, the British misunderstood African cultural practices and report...
From the savannas of Africa to the Flint Hills of Kansas, African dance has drummed up a couple of p...
This article was published in a special edition of the Theatre, Dance and Performance Training journ...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Dancers dedicate their lives to their art. The lucky few dancers who reach professional careers, mus...
Choreography articulates the body’s somatic and cultural identity, and a reading of South African da...
On Saturday 6 January 1996, gumboot dance team leader Blanket Mkhize threw a party and slaughtered a...
Classically trained in dance, DeAma Battle became interested in Africa-rooted dance in the 1960s. Sh...
Both geography and choreography are concerned with the movement of the body in space, and in the con...
Presented at the Hiphop Symposia in Johannesburg, this article is a shortened version of an Honours ...
This article is a result of a small-scale interview-based study that explored the social conditions ...
The research for this thesis won the 2nd place award in the 2009 Denman Research Forum in the catego...
This paper acknowledges the influences that a generation Y population brings to dance training metho...
Australia is proud of its rich and varied array of the Arts depicting a range of cultural diversity ...
Australia is proud of its rich and varied array of the Arts depicting a range of cultural diversity ...
Between the 17th and 20th centuries, the British misunderstood African cultural practices and report...
From the savannas of Africa to the Flint Hills of Kansas, African dance has drummed up a couple of p...
This article was published in a special edition of the Theatre, Dance and Performance Training journ...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Dancers dedicate their lives to their art. The lucky few dancers who reach professional careers, mus...