Introductory chapter to a book which explores entanglements of power relations and forces of desire in life narratives and visual images. The analysis draws on paintings and archival auto/biographical writings of six fin-de-siècle women artists, who are brought together as narrative personae in a genealogical exploration of the constitution of the female self in art. The author offers an innovative theoretical approach to narrative research by bringing together feminist theories with Foucauldian and DeleuzoGuattarian analytics. The book will be of particular interest for researchers and graduate students in the fields of feminist, narrative and visual studies
Is the analysis of Visual Culture comprehended by a comparatist methodology? Is the grammar of repre...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...
Twenty-first century literature is marked by a number of authors who engage with visual art in their...
Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis ...
In this article, I look back in an art/research experiment of convening an exhibition of women artis...
In this paper I chart lines of flight in women artist’s narratives. In focusing on the complex inter...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This is the first chapter of Maria Tamboukou's book "Visual Lives, Carrington's Letters, Drawings an...
Chapter summary:In this chapter, we consider the experiences of an art/research experiment that took...
In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with a...
Feminism Reframed: Reflections on Art and Difference addresses the ongoing dialogue between feminism...
Indiana University-Purdue University Indianapolis (IUPUI)For women in patriarchal societies, life is...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
The essays in this collection explore the many ways in which women writers have seen and dreamed the...
The articles in this issue are the fruits of research carried out by scholars from a variety of disc...
Is the analysis of Visual Culture comprehended by a comparatist methodology? Is the grammar of repre...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...
Twenty-first century literature is marked by a number of authors who engage with visual art in their...
Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis ...
In this article, I look back in an art/research experiment of convening an exhibition of women artis...
In this paper I chart lines of flight in women artist’s narratives. In focusing on the complex inter...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This is the first chapter of Maria Tamboukou's book "Visual Lives, Carrington's Letters, Drawings an...
Chapter summary:In this chapter, we consider the experiences of an art/research experiment that took...
In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with a...
Feminism Reframed: Reflections on Art and Difference addresses the ongoing dialogue between feminism...
Indiana University-Purdue University Indianapolis (IUPUI)For women in patriarchal societies, life is...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
The essays in this collection explore the many ways in which women writers have seen and dreamed the...
The articles in this issue are the fruits of research carried out by scholars from a variety of disc...
Is the analysis of Visual Culture comprehended by a comparatist methodology? Is the grammar of repre...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...
Twenty-first century literature is marked by a number of authors who engage with visual art in their...