This is the first chapter of Maria Tamboukou's book "Visual Lives, Carrington's Letters, Drawings and Paintings". In it she makes a critical overview of the field of artists’ biographies and discusses its constraints and limitations particularly in relation to the use of letters. She argues that epistolary narratives cannot represent lives or subjects, but are exceptionally useful tools for genealogical analyses of the constitution of the female self in art. The author shows how spatial practices and discourses have been dynamically intertwined in the process of the research and the writing of the book
In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with a...
In this paper I look at autographical depictions of the body in the work of Mato Ioannidou, a Greek ...
This thesis explores how women artists articulate their subjectivity through autobiographical writin...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
Introductory chapter to a book which explores entanglements of power relations and forces of desire ...
In this paper I look into the letters of Dora Carrington, a British artist who lived and worked in t...
Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis ...
In this paper I consider interfaces between visual and textual representations of the female self in...
Abstract: In this paper I explore the use of letters in narrative research in the social sciences. T...
Bringing together a collection of high-profile authors, Biographies and Space presents essays explor...
In this paper I follow nomadic passages in the memoir of Sofia Laskaridou, a Greek woman artist. I a...
Taking Nochlin’s view that, ‘We will need our wit and courage to make sure that women’s voices are h...
In this paper I explore connections between women, art education and spatial relations drawing on th...
In this article I look into the letters and paintings of the expatriate Welsh artist Gwen John, trac...
Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspo...
In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with a...
In this paper I look at autographical depictions of the body in the work of Mato Ioannidou, a Greek ...
This thesis explores how women artists articulate their subjectivity through autobiographical writin...
In this paper I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived...
Introductory chapter to a book which explores entanglements of power relations and forces of desire ...
In this paper I look into the letters of Dora Carrington, a British artist who lived and worked in t...
Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis ...
In this paper I consider interfaces between visual and textual representations of the female self in...
Abstract: In this paper I explore the use of letters in narrative research in the social sciences. T...
Bringing together a collection of high-profile authors, Biographies and Space presents essays explor...
In this paper I follow nomadic passages in the memoir of Sofia Laskaridou, a Greek woman artist. I a...
Taking Nochlin’s view that, ‘We will need our wit and courage to make sure that women’s voices are h...
In this paper I explore connections between women, art education and spatial relations drawing on th...
In this article I look into the letters and paintings of the expatriate Welsh artist Gwen John, trac...
Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspo...
In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with a...
In this paper I look at autographical depictions of the body in the work of Mato Ioannidou, a Greek ...
This thesis explores how women artists articulate their subjectivity through autobiographical writin...