In the 80’s Eileen Agar made a powerful series of rock paintings using photographs taken in the 1930’s and by drawing on memory and the subjective nature of her imagination. The curators of ‘The Secret Life of Stuff’ explore notions of the unconscious, and intentionality in Agar’s work, and in the work of Catherine Ferguson, Bernice Donszelmann, John Gibbons and Della Gooden, where complex meaning emerges from the materiality of the work itself; immanent forces are found in the object and the materials used to make it. Two durational text works exhibited in the exhibition 'The Secret Life of Stuff' curated by Cath Ferguson and Della Gooden
In this group exhibition curated by John Bunker and myself, we explored collage and multiple layerin...
Exhibition catalogue published on the occasion of the exhibition held at the Camden Arts Centre, Lon...
The Imagining of Things was a solo exhibition. It was selected to represent Huddersfield Art Galler...
In 1936 the Surrealist artist Eileen Agar painted a watercolour in the South of France titled Thumb ...
VO Eileen Agar talking over photograph of herself about taking a cork basket, and then realising she...
This year's annual Bow Arts Trust exhibition, has been selected by curator Myriam Blundell. The show...
Travelling Companions is an exhibition by artists Judy Goldhill and Fay Ballard, curated by Ro Spank...
The final instalment of Carroll / Fletcher’s four-part exhibition draws together works that turn the...
In the ‘Object as Subject’ exhibition held at the Stephen Lawrence Gallery, Greenwich University, my...
The exhibition "The Thought of Stuff" was held 20/05 -11/06/2010 at the RBS Galleries, London. Cura...
A two person exhibition shown at, and supported by Gi (Glasgow International) Festival of Visual Art...
Stofer created an installation for ‘The Nature of Things’, a joint exhibition curated by Sarah Griff...
In 2009 Manchester-based collaborative artists Carson & Miller were invited by Manchester Metropolit...
Art practice in art therapy is given shape by its simultaneous involvement of artist, viewer and cur...
Without is a collaboration between Sally Underwood and Roxy Walsh. Their ongoing research explores h...
In this group exhibition curated by John Bunker and myself, we explored collage and multiple layerin...
Exhibition catalogue published on the occasion of the exhibition held at the Camden Arts Centre, Lon...
The Imagining of Things was a solo exhibition. It was selected to represent Huddersfield Art Galler...
In 1936 the Surrealist artist Eileen Agar painted a watercolour in the South of France titled Thumb ...
VO Eileen Agar talking over photograph of herself about taking a cork basket, and then realising she...
This year's annual Bow Arts Trust exhibition, has been selected by curator Myriam Blundell. The show...
Travelling Companions is an exhibition by artists Judy Goldhill and Fay Ballard, curated by Ro Spank...
The final instalment of Carroll / Fletcher’s four-part exhibition draws together works that turn the...
In the ‘Object as Subject’ exhibition held at the Stephen Lawrence Gallery, Greenwich University, my...
The exhibition "The Thought of Stuff" was held 20/05 -11/06/2010 at the RBS Galleries, London. Cura...
A two person exhibition shown at, and supported by Gi (Glasgow International) Festival of Visual Art...
Stofer created an installation for ‘The Nature of Things’, a joint exhibition curated by Sarah Griff...
In 2009 Manchester-based collaborative artists Carson & Miller were invited by Manchester Metropolit...
Art practice in art therapy is given shape by its simultaneous involvement of artist, viewer and cur...
Without is a collaboration between Sally Underwood and Roxy Walsh. Their ongoing research explores h...
In this group exhibition curated by John Bunker and myself, we explored collage and multiple layerin...
Exhibition catalogue published on the occasion of the exhibition held at the Camden Arts Centre, Lon...
The Imagining of Things was a solo exhibition. It was selected to represent Huddersfield Art Galler...