The Duchess of Malfi: Webster’s Tragedy of Blood,

International audienceThis collection of essays represents new scholarly work on John Webster’s great tragedy, The Duchess of Malfi. The critical methodologies range from historical contexts, to feminist readings of agency and identity, to social analyses of Jacobean culture. The play has rightly taken its place as one of the greatest plays of the early modern period, and the Duchess is now seen as one of the great tragic figures of the period - and along with Shakespeare’s Cleopatra, one of the greatest representations of a strong female character who guides her own sexuality and her own destiny. The play also offers an unusual range of villainous characters, from the Duchess’s two brothers - the Machiavellian Cardinal and the deranged Ferdinand - to Bosola, who at first seems to be a conventional Vice-like villain. Bosola commits terrible actions in the play, but ultimately surrenders to his conscience and tries to do good, but his transformation comes too late, and the final set of murders takes place in darkness - an apt symbol of the play’s disturbing moral universe