After revising the concepts of consonance/dissonance, a respective mathematic-computational model is described, based on Helmholtz's consonance theory and also considering the partials intensity. It is then applied to characterize five scale temperaments, as well as some minor and major triads. In spite of the simplicity of this model, a good agreement is often observed between the obtained consonances/dissonances and the typically observed properties of scales and chords. The representation of temperaments as graphs where links correspond to consonance (or dissonance) is also presented and used to compare distinct temperaments, allowing the identification of two main groups of approaches
The phenomenon of musical consonance is an essential feature in diverse musical styles. The traditio...
As a preliminary to further research on musical consonance an explanatory investigation was made on ...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...
We report an approach to obtaining complex networks with diverse topology, here called syntonets, ta...
The starting point of this study is the theory of tonal consonance by Plomp and Levelt. The major re...
Background in music theory. Consonance and dissonance (C/D) has been central to music theory since a...
Summary Some combinations of musical notes are consonant (pleasant), whereas others are dissonant (u...
(19-tet) has frequently emerged as one of the most plausible candidates for an alternative equally t...
The relationship between sensory consonance and Western harmony is an important topic in music theor...
Acoustic and musical components of consonance and dissonance perception have been recently identifie...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Musical tones consist of partial-tones which inform both timbre as well as unique acoustic signature...
The thesis subjectively summarizes the author's view of consonance and dissonance. It analyses the a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
This paper presents a formal model of Schoenberg’s guidelines for convincing chord root progressions...
The phenomenon of musical consonance is an essential feature in diverse musical styles. The traditio...
As a preliminary to further research on musical consonance an explanatory investigation was made on ...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...
We report an approach to obtaining complex networks with diverse topology, here called syntonets, ta...
The starting point of this study is the theory of tonal consonance by Plomp and Levelt. The major re...
Background in music theory. Consonance and dissonance (C/D) has been central to music theory since a...
Summary Some combinations of musical notes are consonant (pleasant), whereas others are dissonant (u...
(19-tet) has frequently emerged as one of the most plausible candidates for an alternative equally t...
The relationship between sensory consonance and Western harmony is an important topic in music theor...
Acoustic and musical components of consonance and dissonance perception have been recently identifie...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Musical tones consist of partial-tones which inform both timbre as well as unique acoustic signature...
The thesis subjectively summarizes the author's view of consonance and dissonance. It analyses the a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
This paper presents a formal model of Schoenberg’s guidelines for convincing chord root progressions...
The phenomenon of musical consonance is an essential feature in diverse musical styles. The traditio...
As a preliminary to further research on musical consonance an explanatory investigation was made on ...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...