Add to ORKGExplores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov\u27s classic play Three Sisters, through adaptations by the Irish playwright Brian Friel and (briefly) the Scot John Byrne, and then discusses more fully the adaptation by Liz Lochhead, premiered at the Royal Lyceum Theatre, Edinburgh, in 2000
From the 1970s onwards, Scottish theatre has seen the emergence of women dramatists sharing the inte...
From the late 1960s until the present day, a significant number of women playwrights have emerged in...
Chekhov was a far-sighted and freedom-loving personality; he respected the human rights and equality...
Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov\u...
Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov's...
This thesis is an examination of Liz Lochhead's three published plays: Blood and Ice (1982), Dracula...
The thesis studies the female voice in the local culture in the post-devolution dramatic adaptations...
Examining the three-way relationship between Natasha, Andrey and the three sisters in the play, this...
This study's aims were to show that a translation which takes into account the cultural background o...
A staple of post-war Scottish theatre until today has been the appropriation of classical drama and ...
Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American ...
This dissertation argues that Liz Lochhead challenges and reconsiders the patriarchal epistemologica...
Liz Lochhead (b. 1947) is one of Scotland’s most decorated contemporary writers, however, an extensi...
[Abstract] It has been argued that Scottish culture has experienced a “Second Renaissance” in the la...
Scottish national identity being represented in theatre has been a prominent fixture in Scotland, an...
From the 1970s onwards, Scottish theatre has seen the emergence of women dramatists sharing the inte...
From the late 1960s until the present day, a significant number of women playwrights have emerged in...
Chekhov was a far-sighted and freedom-loving personality; he respected the human rights and equality...
Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov\u...
Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov's...
This thesis is an examination of Liz Lochhead's three published plays: Blood and Ice (1982), Dracula...
The thesis studies the female voice in the local culture in the post-devolution dramatic adaptations...
Examining the three-way relationship between Natasha, Andrey and the three sisters in the play, this...
This study's aims were to show that a translation which takes into account the cultural background o...
A staple of post-war Scottish theatre until today has been the appropriation of classical drama and ...
Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American ...
This dissertation argues that Liz Lochhead challenges and reconsiders the patriarchal epistemologica...
Liz Lochhead (b. 1947) is one of Scotland’s most decorated contemporary writers, however, an extensi...
[Abstract] It has been argued that Scottish culture has experienced a “Second Renaissance” in the la...
Scottish national identity being represented in theatre has been a prominent fixture in Scotland, an...
From the 1970s onwards, Scottish theatre has seen the emergence of women dramatists sharing the inte...
From the late 1960s until the present day, a significant number of women playwrights have emerged in...
Chekhov was a far-sighted and freedom-loving personality; he respected the human rights and equality...