Describes the characteristic ways in which the Victorian poet Arthur Hugh Clough (1819-1861) wrote and revised his poetry, arguing that Clough\u27s most creative works came when his revision pattern diverged from his original idea, rather than refining it (converging), and explores the implications of Clough\u27s divergent composition method for the editing of his major poems, including Adam and Eve ( The Mystery of the Fall ) and Dipsychus. Originally presented at the Textual and Bibliographical Studies section of the South Atlantic Modern Language Association, Atlanta, October 1982
International audienceIn the early twentieth century, the relationship between poets and the rules t...
This creative project has been an experiment in the writing of poetry based on a continuing study of...
John Ogilvie, an important literary theorist of the eighteenth century, is remembered chiefly for Ph...
Describes the characteristic ways in which the Victorian poet Arthur Hugh Clough (1819-1861) wrote a...
The title of Walter Houghton's recent article, "Arthur Hugh Clough: A Hundred Years of Disparagement...
A 365-page study of how the Victorian poet Arthur Hugh Clough (1819-1861) created the distinctive se...
For all the recent interest in Clough's poetry, there has been little critical study of the numerous...
Dactylic hexameter, the chief meter of classical poetry, was imitated in English by the Elizabethans...
The Poems of Emily Dickinson edited by Thomas H. Johnson includes "variant readings critically compa...
Typescript (photocopy).The Letters of Matthew Arnold to Arthur Hugh Clough leave a record of Arnold'...
I have been engaged in a research into Emily Dickinson's creative activity by examining the suggeste...
Discusses the relationship between the Victorian poet Arthur Hugh Clough and his cousin-by-marriage ...
This paper is the second report of our research into Emily Dickinson's variant readings. Focusing on...
This paper is the third report of our research into Emily Dickinson's variant readings. In the first...
A review of Arthur Hugh Clough: The Growth of a Poet\u27s Mind, by E. B. Greenberger; Arthur Hugh C...
International audienceIn the early twentieth century, the relationship between poets and the rules t...
This creative project has been an experiment in the writing of poetry based on a continuing study of...
John Ogilvie, an important literary theorist of the eighteenth century, is remembered chiefly for Ph...
Describes the characteristic ways in which the Victorian poet Arthur Hugh Clough (1819-1861) wrote a...
The title of Walter Houghton's recent article, "Arthur Hugh Clough: A Hundred Years of Disparagement...
A 365-page study of how the Victorian poet Arthur Hugh Clough (1819-1861) created the distinctive se...
For all the recent interest in Clough's poetry, there has been little critical study of the numerous...
Dactylic hexameter, the chief meter of classical poetry, was imitated in English by the Elizabethans...
The Poems of Emily Dickinson edited by Thomas H. Johnson includes "variant readings critically compa...
Typescript (photocopy).The Letters of Matthew Arnold to Arthur Hugh Clough leave a record of Arnold'...
I have been engaged in a research into Emily Dickinson's creative activity by examining the suggeste...
Discusses the relationship between the Victorian poet Arthur Hugh Clough and his cousin-by-marriage ...
This paper is the second report of our research into Emily Dickinson's variant readings. Focusing on...
This paper is the third report of our research into Emily Dickinson's variant readings. In the first...
A review of Arthur Hugh Clough: The Growth of a Poet\u27s Mind, by E. B. Greenberger; Arthur Hugh C...
International audienceIn the early twentieth century, the relationship between poets and the rules t...
This creative project has been an experiment in the writing of poetry based on a continuing study of...
John Ogilvie, an important literary theorist of the eighteenth century, is remembered chiefly for Ph...