Add to ORKGFilm archivists are facing a new challenge as we move from digitizing analog video tape to digitizing motion picture film. Specifically, we must ask ourselves whether we want to preserve the moving image as an essence or motion picture film as a material artifact
The chapter is a written version of a presentation offered at a series of School for Scanning confer...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...
This working paper examines the dual use of microfilm for preservation and digital imaging for enhan...
Film archivists are facing a new challenge as we move from digitizing analog video tape to digitizin...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
This article examines archival methods for digitizing film assets and potential miscommunications of...
This article addresses the politics of film digitization by arguing that we should reconsider archiv...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
The shift to digital production methods for moviemaking has resulted in a proliferation of digital m...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
A two-part case study of a film project processed and digitized by an archival institution, from the...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of f...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
Film-based photographic collections of nitrate negatives pose major challenges to preservation and a...
The chapter is a written version of a presentation offered at a series of School for Scanning confer...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...
This working paper examines the dual use of microfilm for preservation and digital imaging for enhan...
Film archivists are facing a new challenge as we move from digitizing analog video tape to digitizin...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
This article examines archival methods for digitizing film assets and potential miscommunications of...
This article addresses the politics of film digitization by arguing that we should reconsider archiv...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
The shift to digital production methods for moviemaking has resulted in a proliferation of digital m...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
A two-part case study of a film project processed and digitized by an archival institution, from the...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of f...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
Film-based photographic collections of nitrate negatives pose major challenges to preservation and a...
The chapter is a written version of a presentation offered at a series of School for Scanning confer...
How do the choices made by film archivists and restorers impact the way films are presented? How do ...
This working paper examines the dual use of microfilm for preservation and digital imaging for enhan...