Add to ORKGThe article explores the relationships among The Wonderful Wizard of Oz, its 1939 film version, and the various other works based on and associated with it. In this work, the long-running stage musical Wicked is identified as an innovative and influential take on Baum’s story
This chapter on the origins of Wicked as a musical is a sample from the Stephen Schwartz biography D...
Drawing on L. Frank Baum’s The Wonderful Wizard of Oz as a case study – a children’s fairytale novel...
The article examines the manifestations of William Shakespeare’s output in the American musical, bot...
The twenty-first century musical is undoubtedly an intertextual landscape formed from fragments of p...
This paper is a comparative study on Lyman Frank Baum’s The Wonderful Wizard of Oz (1900) and its mu...
This article will offer a close reading of two Warner Bros. direct-to-video animated features – Tom ...
The story chronicles the adventures of a young farm girl named Dorothy in the magical Land of Oz, af...
This work explores the dynamics of the metamorphosis that the classical fairy tales have undergone t...
The \u27Wizard of Oz\u27 story has been omnipresent in American popular culture since the first publ...
The following essay addresses Alexandr Volko's adaption and appropriation of L. Frank Baum's "The Wi...
The Wizard of Oz is not only an iconic film but an iconic fantasy film. An unwillingness to describe...
The extant sources for the songs in MGM’s The Wizard of Oz -- draft lyrics, studio piano-vocal manus...
This paper explores the classic MGM film The Wizard of Oz from a perspective influenced by...
Diploma work begins with the definition of fantasy and its structure, adapted from the book The Magi...
This rhetorical analysis explores the relationship between the two main characters, Elphaba and G(a)...
This chapter on the origins of Wicked as a musical is a sample from the Stephen Schwartz biography D...
Drawing on L. Frank Baum’s The Wonderful Wizard of Oz as a case study – a children’s fairytale novel...
The article examines the manifestations of William Shakespeare’s output in the American musical, bot...
The twenty-first century musical is undoubtedly an intertextual landscape formed from fragments of p...
This paper is a comparative study on Lyman Frank Baum’s The Wonderful Wizard of Oz (1900) and its mu...
This article will offer a close reading of two Warner Bros. direct-to-video animated features – Tom ...
The story chronicles the adventures of a young farm girl named Dorothy in the magical Land of Oz, af...
This work explores the dynamics of the metamorphosis that the classical fairy tales have undergone t...
The \u27Wizard of Oz\u27 story has been omnipresent in American popular culture since the first publ...
The following essay addresses Alexandr Volko's adaption and appropriation of L. Frank Baum's "The Wi...
The Wizard of Oz is not only an iconic film but an iconic fantasy film. An unwillingness to describe...
The extant sources for the songs in MGM’s The Wizard of Oz -- draft lyrics, studio piano-vocal manus...
This paper explores the classic MGM film The Wizard of Oz from a perspective influenced by...
Diploma work begins with the definition of fantasy and its structure, adapted from the book The Magi...
This rhetorical analysis explores the relationship between the two main characters, Elphaba and G(a)...
This chapter on the origins of Wicked as a musical is a sample from the Stephen Schwartz biography D...
Drawing on L. Frank Baum’s The Wonderful Wizard of Oz as a case study – a children’s fairytale novel...
The article examines the manifestations of William Shakespeare’s output in the American musical, bot...