This paper outlines the thinking of the English psychoanalyst and painter Marion Milner (1900-1998) and examines the issues of creativity and art. Milner, as a result of personal research on the inability to paint, came to believe that the creative artistic process, intended as the creation of new symbols that attribute a personal and subjective meaning to the newly-created reality, occurs during moments of ‘primary madness’ (of illusion of unity, of pre-logical fusion between subject and object) making it possible to have a relationship of reciprocity between internal and external reality. In such a process, the aesthetic experience of the artist at work plays a key role
EnThe link between creativity and psychic-pathology has been times and times object of analysis duri...
Deciphering the mysteries of the unconscious was one of the central aims of Surrealists who, in orde...
This thesis concerns itself with the transformation of idea through the manipulation of visual langu...
This dissertation analyses literature written by the psychoanalyst and artist Marion Milner, in rela...
Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which to...
It is unusual to combine mysticism and psychoanalysis. Marion Milner, however, achieved precisely th...
This article explores British psychoanalyst Marion Milner's (1900–1998) understanding of how creativ...
This article examines Milner’s artistic insights in “The role of illusion in symbol formation” (1952...
The British psychoanalyst Marion Milner’s (1900-1998) use of imaginative scenarios (both the patient...
Marion Milner was a British psychoanalyst whose life spanned the major part of the twentieth century...
This book traces the development of British psychoanalyst Marion Milner’s (1900–98) autobiographical...
Milner’s great study, first published in 1950, discusses the nature of creativity and those forces w...
Milner’s great study, first published in 1950, discusses the nature of creativity and those forces w...
Even Sigmund Freud surrendered to the mysteries of artistic creativity, in famously concluding that ...
ABSTRACT: Art is born at the border of external and intrapsychic realities, through the human being’...
EnThe link between creativity and psychic-pathology has been times and times object of analysis duri...
Deciphering the mysteries of the unconscious was one of the central aims of Surrealists who, in orde...
This thesis concerns itself with the transformation of idea through the manipulation of visual langu...
This dissertation analyses literature written by the psychoanalyst and artist Marion Milner, in rela...
Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which to...
It is unusual to combine mysticism and psychoanalysis. Marion Milner, however, achieved precisely th...
This article explores British psychoanalyst Marion Milner's (1900–1998) understanding of how creativ...
This article examines Milner’s artistic insights in “The role of illusion in symbol formation” (1952...
The British psychoanalyst Marion Milner’s (1900-1998) use of imaginative scenarios (both the patient...
Marion Milner was a British psychoanalyst whose life spanned the major part of the twentieth century...
This book traces the development of British psychoanalyst Marion Milner’s (1900–98) autobiographical...
Milner’s great study, first published in 1950, discusses the nature of creativity and those forces w...
Milner’s great study, first published in 1950, discusses the nature of creativity and those forces w...
Even Sigmund Freud surrendered to the mysteries of artistic creativity, in famously concluding that ...
ABSTRACT: Art is born at the border of external and intrapsychic realities, through the human being’...
EnThe link between creativity and psychic-pathology has been times and times object of analysis duri...
Deciphering the mysteries of the unconscious was one of the central aims of Surrealists who, in orde...
This thesis concerns itself with the transformation of idea through the manipulation of visual langu...