The volume under review developed out of a conference on “Music and Esotericism. Art and Science of Sounds Facing the Occult Knowledge”, which was held at the Academia Belgica in Rome in April 2008 (two of the volume contributors, Charles Burnett and David Juste, also served as members of the conference scientific board). As the editor states in her introduction, ‘the concept for the conference was to bring together scholars working on magic, astrology, alchemy, divination and cabbala in order to study the relationship of these to music. Its aim was to understand and break down the barriers between the history of art, music, science and ideas’ (p. 1). To exemplify the issues and develop a multidisciplinary dialogue from both sides, ‘each pa...
In a concert hall, the attitude of the audience focusses on the formalistic aspects of music. In rel...
This paper offers a brief survey of some of the main points of the argument of David Brown’s and Gav...
Leonardo da Vinci famously characterized music as âgiving shape ⦠to invisible thingsâ;1 the author...
This collection of essays analyzes the relationships that exist between esotericism and music from A...
Because of its highly abstract nature, its almost complete lack of explicit verbal or representati...
Because of its highly abstract nature, its almost complete lack of explicit verbal or representati...
Western esotericism, or the practice of trying to understand divinity through secret initiatic means...
Le colloque « Musique et ésotérisme » se veut une invitation au dialogue interdisciplinaire entre hi...
Introduction This special issue of the Revue d’Anthropologie des Connaissances journal is entitled “...
International audienceThis volume offers a new approach to the study of music through the lens of re...
International audienceThis contribution traces the history of musicology in order to set its object....
Since the Renaissance, the normative approach to a philosophy of music has concerned itself primaril...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Musicology is a relatively young discipline, which gained recognition only towards the end of the ni...
Music represents an important aspect of identity of both individuals and groups and an inevitable pa...
In a concert hall, the attitude of the audience focusses on the formalistic aspects of music. In rel...
This paper offers a brief survey of some of the main points of the argument of David Brown’s and Gav...
Leonardo da Vinci famously characterized music as âgiving shape ⦠to invisible thingsâ;1 the author...
This collection of essays analyzes the relationships that exist between esotericism and music from A...
Because of its highly abstract nature, its almost complete lack of explicit verbal or representati...
Because of its highly abstract nature, its almost complete lack of explicit verbal or representati...
Western esotericism, or the practice of trying to understand divinity through secret initiatic means...
Le colloque « Musique et ésotérisme » se veut une invitation au dialogue interdisciplinaire entre hi...
Introduction This special issue of the Revue d’Anthropologie des Connaissances journal is entitled “...
International audienceThis volume offers a new approach to the study of music through the lens of re...
International audienceThis contribution traces the history of musicology in order to set its object....
Since the Renaissance, the normative approach to a philosophy of music has concerned itself primaril...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Musicology is a relatively young discipline, which gained recognition only towards the end of the ni...
Music represents an important aspect of identity of both individuals and groups and an inevitable pa...
In a concert hall, the attitude of the audience focusses on the formalistic aspects of music. In rel...
This paper offers a brief survey of some of the main points of the argument of David Brown’s and Gav...
Leonardo da Vinci famously characterized music as âgiving shape ⦠to invisible thingsâ;1 the author...