Add to ORKGThe purpose of the present article is to sketch the tradition of dance exempla, and to comment on the image of dance promoted by these narratives in the society of the time. Inevitably, the most frequent element is a monastic-penitential condemnation of worldly enjoyment. However different connotations are sometimes introduced; and the means by which the narrative patterns are used to elicit condemnation are often significant in themselves
This antidance treatise presents three of the central arguments for this genre of literature. First,...
Since the beginning of time, dance has been used as a form of communication, celebration, and as a p...
This article attempts to answer a question that many dancers and non-dancers may have. What is dance...
The legacy of the Renaissance and baroque era is a complex one. The period witnessed a variety of da...
In sixteenth- and early seventeenth-century Europe dance frequently emerged as the subject of vigoro...
The dance of death, one of the most characteristic motifs of late-mediaeval and Renaissance art, has...
Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by C...
This antidance work is typical of the genre of dance writing that has its roots in published works r...
During the 14th to 16th centuries, Renaissance dance had a complex history in terms of whether or no...
In the article the basic aspects of choreographic art are examined in the historical aspect of ХVІІІ...
This article seeks to propose a preliminary methodology of dance research to explore dance as a hist...
This study examines the cultural and religious politics of dancing in late sixteenth- and early seve...
In the context of Christian penitence, medieval preachers, confessors, and philosophers aligned danc...
textabstractObjectives Between 1400 and 1800, Dances of Death were a popular art form depicting a me...
pp. 52-63 of the Journal of the LUCAS Graduate Conference, Issue 4 (2016). The complete issue can be...
This antidance treatise presents three of the central arguments for this genre of literature. First,...
Since the beginning of time, dance has been used as a form of communication, celebration, and as a p...
This article attempts to answer a question that many dancers and non-dancers may have. What is dance...
The legacy of the Renaissance and baroque era is a complex one. The period witnessed a variety of da...
In sixteenth- and early seventeenth-century Europe dance frequently emerged as the subject of vigoro...
The dance of death, one of the most characteristic motifs of late-mediaeval and Renaissance art, has...
Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by C...
This antidance work is typical of the genre of dance writing that has its roots in published works r...
During the 14th to 16th centuries, Renaissance dance had a complex history in terms of whether or no...
In the article the basic aspects of choreographic art are examined in the historical aspect of ХVІІІ...
This article seeks to propose a preliminary methodology of dance research to explore dance as a hist...
This study examines the cultural and religious politics of dancing in late sixteenth- and early seve...
In the context of Christian penitence, medieval preachers, confessors, and philosophers aligned danc...
textabstractObjectives Between 1400 and 1800, Dances of Death were a popular art form depicting a me...
pp. 52-63 of the Journal of the LUCAS Graduate Conference, Issue 4 (2016). The complete issue can be...
This antidance treatise presents three of the central arguments for this genre of literature. First,...
Since the beginning of time, dance has been used as a form of communication, celebration, and as a p...
This article attempts to answer a question that many dancers and non-dancers may have. What is dance...