Lightness constancy and simultaneous lightness contrast (SLC) illustrate, in different ways, the effect of context on color appearance. Gilchrist (1988) defined constancy as Type I constancy and SLC as Type II constancy. Agostini & Bruno (1996) showed that under Gelb lighting (an illumination border is made to coincide with the outer border of the display and the rest of the visual field is left in near darkness), the size of SLC effect approximately doubles. Successively, Agostini & Galmonte (1999) found that in Type II constancy displays Gelb lighting affects both the lightness of the gray patch and that of its background. The aim of the present research is to test whether under Gelb lighting the size of lightness induction effect on a Ty...
Colour constancy is traditionally interpreted as the stable appearance of the colour of a surface de...
Changes in colour appearance were studied under eight different illuminants. The most informative co...
Surfaces covering the majority of a visual scene qualify for the role of an anchor--the value used b...
The term lightness constancy describes the ability of the visual system to perceive surface colour c...
Agostini & Bruno (Perception & Psychophysics in press) showed that the size of simultaneous lightnes...
Agostini & Bruno (1996) found that, under Gelb lighting (an illumination border is made to coincide ...
Three experiments investigated the role of physical illumination on lightness perception in simultan...
The term simultaneous lightness constancy describes the capacity of the visual system to perceive eq...
Luminance of three-dimensional achromatic objects under given illumination depends on remittance of ...
Agostini & Bruno (1996, P&P, 58, 250-258) found that, under Gelb lighting (an illumination border is...
On color constancy, we showed that brighter surrounding colors had greater influence than dim colors...
Color constancy involves correctly attributing a bias in the color of the light reaching your eyes t...
The color appearances of the color patches are investigated in terms of hue, colorfulness and bright...
AbstractIn two experiments simultaneous color constancy was measured using simulations of illuminate...
Objects hardly appear to change color when the spectral distribution of the illumination changes: a ...
Colour constancy is traditionally interpreted as the stable appearance of the colour of a surface de...
Changes in colour appearance were studied under eight different illuminants. The most informative co...
Surfaces covering the majority of a visual scene qualify for the role of an anchor--the value used b...
The term lightness constancy describes the ability of the visual system to perceive surface colour c...
Agostini & Bruno (Perception & Psychophysics in press) showed that the size of simultaneous lightnes...
Agostini & Bruno (1996) found that, under Gelb lighting (an illumination border is made to coincide ...
Three experiments investigated the role of physical illumination on lightness perception in simultan...
The term simultaneous lightness constancy describes the capacity of the visual system to perceive eq...
Luminance of three-dimensional achromatic objects under given illumination depends on remittance of ...
Agostini & Bruno (1996, P&P, 58, 250-258) found that, under Gelb lighting (an illumination border is...
On color constancy, we showed that brighter surrounding colors had greater influence than dim colors...
Color constancy involves correctly attributing a bias in the color of the light reaching your eyes t...
The color appearances of the color patches are investigated in terms of hue, colorfulness and bright...
AbstractIn two experiments simultaneous color constancy was measured using simulations of illuminate...
Objects hardly appear to change color when the spectral distribution of the illumination changes: a ...
Colour constancy is traditionally interpreted as the stable appearance of the colour of a surface de...
Changes in colour appearance were studied under eight different illuminants. The most informative co...
Surfaces covering the majority of a visual scene qualify for the role of an anchor--the value used b...