Add to ORKGAs an exploration of family and personal history, Home is. aims not only to chronicle my own experiences and memories, but to touch upon the innumerable definitions of the word “home”. The objects are rooted in personal reflection, but each one refers to an aspect of play, identity, love, loss, or regret, inherent within any family. Although they do serve as a blueprint of my life, they are meant to stand as moments shared by all
My paintings are a mediated autobiography focusing on fragmented, cropped or collaged elements deriv...
This thesis will explore the causes and consequences of the absence of vernacular photography from m...
In this thesis history performs that which Della Pollock terms “historicity” in her “Introduction” t...
This body of text speaks about an installation that deals with feelings of displacement, and isolati...
There are some moments in time that imprint in a lasting but unremarkable way. These memories are no...
This is only Temporary examines my personal history of homes as reimagined spaces. The series of pri...
The expression “fun house” seems empathetic and joyful, but has potentially melancholy connotations....
Fraught! explores the visceral feelings and dreamlike memories from my earlier years of life. Throug...
Moving to Harrisonburg proved to be a culture shock for me because in the past, I had lived in areas...
THIS IS WHAT I MEANT WHEN I TOLD YOU is a quest to visually decipher the complexities of self. The...
You look at the work and ask What is it about? I whisper Its a secret. You look confused. I add Fa...
TRANSNATIONALISM, HOME AND IDENTITY: PERSONAL ESSAYSNatasha Garrett, PhD. University of Pittsburgh, ...
“Social Ape” is an investigation and rationalization of America’s obsession with consumption. As a d...
When I was five, my parents walked my older brother and me into what would become our bedroom. It ha...
Explore through nonfiction essays the question of who will record my grandmother’s generation’s stor...
My paintings are a mediated autobiography focusing on fragmented, cropped or collaged elements deriv...
This thesis will explore the causes and consequences of the absence of vernacular photography from m...
In this thesis history performs that which Della Pollock terms “historicity” in her “Introduction” t...
This body of text speaks about an installation that deals with feelings of displacement, and isolati...
There are some moments in time that imprint in a lasting but unremarkable way. These memories are no...
This is only Temporary examines my personal history of homes as reimagined spaces. The series of pri...
The expression “fun house” seems empathetic and joyful, but has potentially melancholy connotations....
Fraught! explores the visceral feelings and dreamlike memories from my earlier years of life. Throug...
Moving to Harrisonburg proved to be a culture shock for me because in the past, I had lived in areas...
THIS IS WHAT I MEANT WHEN I TOLD YOU is a quest to visually decipher the complexities of self. The...
You look at the work and ask What is it about? I whisper Its a secret. You look confused. I add Fa...
TRANSNATIONALISM, HOME AND IDENTITY: PERSONAL ESSAYSNatasha Garrett, PhD. University of Pittsburgh, ...
“Social Ape” is an investigation and rationalization of America’s obsession with consumption. As a d...
When I was five, my parents walked my older brother and me into what would become our bedroom. It ha...
Explore through nonfiction essays the question of who will record my grandmother’s generation’s stor...
My paintings are a mediated autobiography focusing on fragmented, cropped or collaged elements deriv...
This thesis will explore the causes and consequences of the absence of vernacular photography from m...
In this thesis history performs that which Della Pollock terms “historicity” in her “Introduction” t...