Add to ORKGA Transnational Look at the Banjo A national music is the spontaneous growth of ages of insulated life and feeling, said Christopher Pearce Cranch to the Harvard Music Association in 1846. It is impossible that American music can do more than reproduce the music of other ages We are too much a ...
The thesis deals with the cultural-historical development of a string musical instrument called the...
Duke Ellington’s Black, Brown and Beige: A Tone Parallel to the History of the American Negro, which...
Using Historical Geographic Information Systems (HGIS), this project maps Joel Sweeney’s performance...
The story of the banjo\u27s journey from Africa to the western hemisphere blends music, history, and...
The global roots of Appalachia that have fostered diverse ethnic music and the cultural exchange tha...
This article reconsiders the cultural significance and historical impact of the well-known virtuosic...
Excerpt: These two recent studies demonstrate the growing academic interest in the history and deve...
Musical Crossroads Media Presentation: African Roots of the Banjo in Appalachia (PowerPoint w Videos...
The banjo is mostly depicted as an icon of American folk music culture. It seems to be the organolog...
Where then did African music fit into this picture? How could it make sense in this far country, exc...
Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 ...
Though primarily associated with white Southerners, bluegrass music is actually the product of over ...
This thesis demonstrates how members of a modern music revival use the banjo to create a counter nar...
The history of vernacular music in the United States is the chronicle of successive encounters betwe...
From childhood to the present, I have heard stories from my grandmother of growing up as an African ...
The thesis deals with the cultural-historical development of a string musical instrument called the...
Duke Ellington’s Black, Brown and Beige: A Tone Parallel to the History of the American Negro, which...
Using Historical Geographic Information Systems (HGIS), this project maps Joel Sweeney’s performance...
The story of the banjo\u27s journey from Africa to the western hemisphere blends music, history, and...
The global roots of Appalachia that have fostered diverse ethnic music and the cultural exchange tha...
This article reconsiders the cultural significance and historical impact of the well-known virtuosic...
Excerpt: These two recent studies demonstrate the growing academic interest in the history and deve...
Musical Crossroads Media Presentation: African Roots of the Banjo in Appalachia (PowerPoint w Videos...
The banjo is mostly depicted as an icon of American folk music culture. It seems to be the organolog...
Where then did African music fit into this picture? How could it make sense in this far country, exc...
Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 ...
Though primarily associated with white Southerners, bluegrass music is actually the product of over ...
This thesis demonstrates how members of a modern music revival use the banjo to create a counter nar...
The history of vernacular music in the United States is the chronicle of successive encounters betwe...
From childhood to the present, I have heard stories from my grandmother of growing up as an African ...
The thesis deals with the cultural-historical development of a string musical instrument called the...
Duke Ellington’s Black, Brown and Beige: A Tone Parallel to the History of the American Negro, which...
Using Historical Geographic Information Systems (HGIS), this project maps Joel Sweeney’s performance...