Most of Thomas Middleton\u27s works, as well as his personal background, indicate that his theological inclinations were Calvinistic. Many of his plays display his regard for protestant morality or his contempt for Roman Catholics and fringe elements of the Reform movement. His early and middle plays also satirize Puritans, who, although basically loyal subjects, were offensive to both Elizabeth I and James I because they urged greater reforms within the orthodox Church and criticized practices of which both monarchs were fond. During the reign of James, Puritans, largely from the middle class, became particularly unpopular among the gentry and courtier classes. Since Middleton associated with these upper classes, he joined in the chorus ...
Bringing a thorough study of court masques to bear on reoriented readings of The Revenger’s Tragedy,...
American drama was not firmly established, even by 1824. This fact can be seen by checking the subj...
This thesis focuses on the religious aspects of William Shakespeare's Hamlet which, I argue, form th...
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of M...
This dissertation focuses on the repentance and conversion scenes in Thomas Middleton\u27s city come...
Since the mid-nineteenth century, various critics have investigated the likelihood that the texts of...
With its glorified ghost, godly avenger, and idolatrous Tyrant, Thomas Middleton’s The Lady’s Traged...
Shakespeare’s career in the theatre coincides with the ascendancy of Catholic-Protestant polemic, a ...
This thesis investigates the extent and range of the ocular vocabulary and themes employed by the p...
It has been the object of this thesis to display the handling of conventions and devices in the play...
Christian values permeated all aspects of human activity in sixteenth century England; the basic tru...
The paper examines the use of religious language in Shakespeare’s Richard III. More precisely, it an...
The difference between shows and plays, especially at the universities, and the nature of the revels...
Staging Tudor Royalty: Religious Politics in Stuart Historical Drama (1603–1607) examines the plays ...
Im Zuge des religious turn in Studien zur Frühen Neuzeit ist bisher die Bedeutung der Zensur für die...
Bringing a thorough study of court masques to bear on reoriented readings of The Revenger’s Tragedy,...
American drama was not firmly established, even by 1824. This fact can be seen by checking the subj...
This thesis focuses on the religious aspects of William Shakespeare's Hamlet which, I argue, form th...
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of M...
This dissertation focuses on the repentance and conversion scenes in Thomas Middleton\u27s city come...
Since the mid-nineteenth century, various critics have investigated the likelihood that the texts of...
With its glorified ghost, godly avenger, and idolatrous Tyrant, Thomas Middleton’s The Lady’s Traged...
Shakespeare’s career in the theatre coincides with the ascendancy of Catholic-Protestant polemic, a ...
This thesis investigates the extent and range of the ocular vocabulary and themes employed by the p...
It has been the object of this thesis to display the handling of conventions and devices in the play...
Christian values permeated all aspects of human activity in sixteenth century England; the basic tru...
The paper examines the use of religious language in Shakespeare’s Richard III. More precisely, it an...
The difference between shows and plays, especially at the universities, and the nature of the revels...
Staging Tudor Royalty: Religious Politics in Stuart Historical Drama (1603–1607) examines the plays ...
Im Zuge des religious turn in Studien zur Frühen Neuzeit ist bisher die Bedeutung der Zensur für die...
Bringing a thorough study of court masques to bear on reoriented readings of The Revenger’s Tragedy,...
American drama was not firmly established, even by 1824. This fact can be seen by checking the subj...
This thesis focuses on the religious aspects of William Shakespeare's Hamlet which, I argue, form th...