Add to ORKGHow are returns to AIDS cultural production whitewashed, and how can we return, attending with care to the earlier video work of women and people of color. How can we practice decent stewardship of this vulerbale archive
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics prod...
In the age of AIDS, film and video became one of the principal means for grief-stricken activists an...
The first fifteen years of the AIDS Crisis (1981-1996) were characterized by an immense need by thos...
How are returns to AIDS cultural production whitewashed, and how can we return, attending with care ...
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New Yo...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
This paper provides a historical account and analysis of Visual AIDS’ first Day Without Art in 1989,...
Since its official discovery in 1981, the story of HIV/AIDS has been a story of inequality. Not only...
Although scholars increasingly scrutinize late twentieth-century American art produced in relation t...
Historical accounts of HIV/AIDS in the UK seldom look beyond the ”official” government public campai...
This thesis follows the making of an archive of the UK HIV/AIDS epidemic (AAU) through a collaborati...
In Furious Acts, I explore the different ways in which art and artistic production were used in AI...
Nostalgia has long been dismissed and derided by scholars and popular commentators as a pointless an...
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics prod...
In the age of AIDS, film and video became one of the principal means for grief-stricken activists an...
The first fifteen years of the AIDS Crisis (1981-1996) were characterized by an immense need by thos...
How are returns to AIDS cultural production whitewashed, and how can we return, attending with care ...
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New Yo...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
This paper provides a historical account and analysis of Visual AIDS’ first Day Without Art in 1989,...
Since its official discovery in 1981, the story of HIV/AIDS has been a story of inequality. Not only...
Although scholars increasingly scrutinize late twentieth-century American art produced in relation t...
Historical accounts of HIV/AIDS in the UK seldom look beyond the ”official” government public campai...
This thesis follows the making of an archive of the UK HIV/AIDS epidemic (AAU) through a collaborati...
In Furious Acts, I explore the different ways in which art and artistic production were used in AI...
Nostalgia has long been dismissed and derided by scholars and popular commentators as a pointless an...
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics prod...
In the age of AIDS, film and video became one of the principal means for grief-stricken activists an...
The first fifteen years of the AIDS Crisis (1981-1996) were characterized by an immense need by thos...