“I grew up in a family where Yiddish was spoken around me quite a bit. I grew up surrounded by Yiddish and Jewish culture, but I didn’t grow up speaking Yiddish, so it was something that was sort of mysterious that I didn’t know very much about.” That is the way Dr. Debra Caplan explains how she became an expert in Yiddish theater. A native of North Wales in Pennsylvania, she says she was always interested from a very young age in performing arts. “I studied theater in high school and in college and became very interested in theater history. I was very interested in the history of avant-garde theater and became a theater director,” she explains
In his preface, J. Baumgarten shows to what extent the ways in which Yiddish studies are conducted a...
In this paper, based on five weeks of ethnographic field work in a Yiddish classroom in Poland, I de...
This thesis project examines the music of Yiddish-speaking Jewish partisans and ghetto resisters, as...
“I grew up in a family where Yiddish was spoken around me quite a bit. I grew up surrounded by Yiddi...
“My background was in a working class/middle class family, and I had a passion for drawing when I wa...
“My father is from Brooklyn, so we have family here. We came in frequently from my native Pittsburgh...
This short article recounts the life story of Johns Hopkins Professor Marc Caplan, the first profess...
University of Minnesota Ph.D. dissertation. December 2012. Major: Comparative Studies in Discourse a...
“The Musical World of Joseph Rumshinsky’s Mamele” consists of a set of three cases studies that demo...
Laura Kolb was not sure what she wanted to major in when she went to college at Columbia University,...
This dissertation discusses the Yiddish theatre in the context of its importance to the evolution of...
This study examines Bourekas films – a cycle of highly popular Israeli comedies and melodramas that ...
For twenty years, a significant insight into the world of Yiddish theater and music sat dormant in t...
This submission comprises a survey of Jewish drama as expressed through Yiddish Theatre in performan...
By the end of this century, well over half of the world’s languages will disappear. Analyzing how mi...
In his preface, J. Baumgarten shows to what extent the ways in which Yiddish studies are conducted a...
In this paper, based on five weeks of ethnographic field work in a Yiddish classroom in Poland, I de...
This thesis project examines the music of Yiddish-speaking Jewish partisans and ghetto resisters, as...
“I grew up in a family where Yiddish was spoken around me quite a bit. I grew up surrounded by Yiddi...
“My background was in a working class/middle class family, and I had a passion for drawing when I wa...
“My father is from Brooklyn, so we have family here. We came in frequently from my native Pittsburgh...
This short article recounts the life story of Johns Hopkins Professor Marc Caplan, the first profess...
University of Minnesota Ph.D. dissertation. December 2012. Major: Comparative Studies in Discourse a...
“The Musical World of Joseph Rumshinsky’s Mamele” consists of a set of three cases studies that demo...
Laura Kolb was not sure what she wanted to major in when she went to college at Columbia University,...
This dissertation discusses the Yiddish theatre in the context of its importance to the evolution of...
This study examines Bourekas films – a cycle of highly popular Israeli comedies and melodramas that ...
For twenty years, a significant insight into the world of Yiddish theater and music sat dormant in t...
This submission comprises a survey of Jewish drama as expressed through Yiddish Theatre in performan...
By the end of this century, well over half of the world’s languages will disappear. Analyzing how mi...
In his preface, J. Baumgarten shows to what extent the ways in which Yiddish studies are conducted a...
In this paper, based on five weeks of ethnographic field work in a Yiddish classroom in Poland, I de...
This thesis project examines the music of Yiddish-speaking Jewish partisans and ghetto resisters, as...