Add to ORKGThis thesis reconstructs Iran’s participation at the Venice Biennale from 1956–1966. In examining the trajectory of artists represented, art works exhibited, and the critical reception, I argue that Iran’s presence at Venice during these years is crucial to an understanding of the development and legacy of Iranian modernism
Theatre and other forms of art have played an unarguable part in the formation of cultures and civil...
Throughout the twentieth century the International Art Exhibition Venice Bien- nale was seen as a ma...
More than 80 years after the beginning of the modernist movement in Iran’s painting which according ...
This thesis reconstructs Iran’s participation at the Venice Biennale from 1956–1966. In examining th...
This dissertation traces the substantial expansion of Western interest in contemporary Iranian art o...
This thesis will explore the relationship between Venice and the Islamic Near East. By examining wor...
This practice-based research explores the notion of Iranian cultural identity as reflected in artwor...
A research project at the Swiss Institute for Art Research in Zurich analyzes the individual nationa...
Recent studies on artistic modernism pay particular attention to the art histories of the non-West b...
In Iran, the urban transformation was mostly related to politically motivated uprisings. Not only an...
The severed relationship between Iran and the United States is encapsulated within the abandoned arc...
ABSTRACT OF THE DISSERTATIONBeyond the Framed Image: Contemporary Iranian Art from Production to Exh...
By 1956, Alfred Barr and the Museum of Modern Art (MoMA), which then owned the American Pavilion, ha...
This capstone report consists of an essay followed by a catalogue of a virtual art exhibition that c...
The paper investigates meaning communicated by the exhibition Archaic, the national pavilion of Iraq...
Theatre and other forms of art have played an unarguable part in the formation of cultures and civil...
Throughout the twentieth century the International Art Exhibition Venice Bien- nale was seen as a ma...
More than 80 years after the beginning of the modernist movement in Iran’s painting which according ...
This thesis reconstructs Iran’s participation at the Venice Biennale from 1956–1966. In examining th...
This dissertation traces the substantial expansion of Western interest in contemporary Iranian art o...
This thesis will explore the relationship between Venice and the Islamic Near East. By examining wor...
This practice-based research explores the notion of Iranian cultural identity as reflected in artwor...
A research project at the Swiss Institute for Art Research in Zurich analyzes the individual nationa...
Recent studies on artistic modernism pay particular attention to the art histories of the non-West b...
In Iran, the urban transformation was mostly related to politically motivated uprisings. Not only an...
The severed relationship between Iran and the United States is encapsulated within the abandoned arc...
ABSTRACT OF THE DISSERTATIONBeyond the Framed Image: Contemporary Iranian Art from Production to Exh...
By 1956, Alfred Barr and the Museum of Modern Art (MoMA), which then owned the American Pavilion, ha...
This capstone report consists of an essay followed by a catalogue of a virtual art exhibition that c...
The paper investigates meaning communicated by the exhibition Archaic, the national pavilion of Iraq...
Theatre and other forms of art have played an unarguable part in the formation of cultures and civil...
Throughout the twentieth century the International Art Exhibition Venice Bien- nale was seen as a ma...
More than 80 years after the beginning of the modernist movement in Iran’s painting which according ...