Lotte Reiniger’s The Adventures of Prince Achmed has been relegated to a curiosity in film history textbooks for some time. Known as the first surviving feature length animated film, it is talked about but rarely seen. However, it is more than just a point in a film history timeline. The film is a beautiful piece of art that engages with the time period in which it was made in a critical and political way. The subject matter, silhouettes as animation, the political atmosphere of Weimar Republic Era Berlin and the role of the spectator are all explored in this thesis in an effort to raise The Adventures of Prince Achmed out of obscurity
Purpose: The purpose of this study was: (1) to examine the American movies of 1933 as a source of ch...
This 112-page publication was the result of a Springboard-funded 2013 collaboration between the Univ...
This dissertation investigates canonical fairy tales adapted into the medium of animation, during th...
Lotte Reiniger’s The Adventures of Prince Achmed has been relegated to a curiosity in film history t...
This proposal requests funding to access and view a series of historical German films and to purchas...
Lotte Reiniger’s 1926 feature-length silhouette animation Die Abenteuer des Prinzen Achmed (The Adve...
Contemporary American visual culture is saturated with animation, from websites and advertisements t...
Beginning in 1919, Lotte Reiniger created over sixty fairy tale films composed of ornate silhouettes...
Contemporary American visual culture is saturated with animation, from websites and advertisements t...
Der Ruhm von Lotte Reiniger basiert wesentlich auf dem ca. 60minütigen Silhouettenfilm "Die Abenteue...
This paper is a record of my experiences creating an animated movie of silhouettes, based upon the m...
Lotte Reiniger made over sixty films, of which eleven are considered lost and fifty to have survived...
This thesis examines the history of animated cartoons in Britain between 1880 and 1928, identifying ...
Experimental animator Lotte Reiniger was an innovator in Weimar Germany, but her historic and artist...
Der Aufsatz dient als Einleitung in den Sammelband "Animationen: Lotte Reiniger im Kontext der Medie...
Purpose: The purpose of this study was: (1) to examine the American movies of 1933 as a source of ch...
This 112-page publication was the result of a Springboard-funded 2013 collaboration between the Univ...
This dissertation investigates canonical fairy tales adapted into the medium of animation, during th...
Lotte Reiniger’s The Adventures of Prince Achmed has been relegated to a curiosity in film history t...
This proposal requests funding to access and view a series of historical German films and to purchas...
Lotte Reiniger’s 1926 feature-length silhouette animation Die Abenteuer des Prinzen Achmed (The Adve...
Contemporary American visual culture is saturated with animation, from websites and advertisements t...
Beginning in 1919, Lotte Reiniger created over sixty fairy tale films composed of ornate silhouettes...
Contemporary American visual culture is saturated with animation, from websites and advertisements t...
Der Ruhm von Lotte Reiniger basiert wesentlich auf dem ca. 60minütigen Silhouettenfilm "Die Abenteue...
This paper is a record of my experiences creating an animated movie of silhouettes, based upon the m...
Lotte Reiniger made over sixty films, of which eleven are considered lost and fifty to have survived...
This thesis examines the history of animated cartoons in Britain between 1880 and 1928, identifying ...
Experimental animator Lotte Reiniger was an innovator in Weimar Germany, but her historic and artist...
Der Aufsatz dient als Einleitung in den Sammelband "Animationen: Lotte Reiniger im Kontext der Medie...
Purpose: The purpose of this study was: (1) to examine the American movies of 1933 as a source of ch...
This 112-page publication was the result of a Springboard-funded 2013 collaboration between the Univ...
This dissertation investigates canonical fairy tales adapted into the medium of animation, during th...