This paper discusses the impact of introducing a multi-day introduction in an art history survey course in order to promote student awareness of the transferability of the skills and strategies of visual analysis to other contexts and courses outside of the discipline. Class discussion, course activities, and supplemental support materials were developed with the goal of generating student interest, investment, and self-efficacy in connection with art historical methodology and study strategies. Student performance and feedback in a recent survey course employing this introduction was then compared to earlier offerings of the course that did not employ this introduction. Preliminary results suggest the potential effectiveness of this approa...
In this dissertation I argue that the continued dominance of a hegemonic Eurocentric art historical ...
This article examines how the introduction of pedagogical interventions in the art history survey cl...
Student engagement in undergraduate art history survey courses has been a concern of art historians ...
This paper discusses the impact of introducing a multi-day introduction in an art history survey cou...
The large-enrollment, lecture-based introductory survey still forms an essential part of art history...
This essay stems from our concern that art historians still conceive of “The” Survey in terms that p...
Ultimately, what can and should an introductory course in the history of art do? What difference can...
Inspired by partnerships between medical schools and museums that produce measurable outcomes in the...
This article proposes a revised way of approaching the learning outcomes of introductory courses in ...
Art History enrollments at the college level are declining as students flock to STEM majors and perc...
This heuristic, design-based research study examines student perceptions of their learning experienc...
Engaging in the recent tradition of disciplinary and instructional self-critique by art historians t...
Teaching 'outside the classroom' is one of the biggest challenges facing art historians. Students ar...
Humanities courses are often populated with students who primarily take these offerings to meet Gene...
Syllabus for an introductory undergraduate Art History course, surveying the discipline from pre-his...
In this dissertation I argue that the continued dominance of a hegemonic Eurocentric art historical ...
This article examines how the introduction of pedagogical interventions in the art history survey cl...
Student engagement in undergraduate art history survey courses has been a concern of art historians ...
This paper discusses the impact of introducing a multi-day introduction in an art history survey cou...
The large-enrollment, lecture-based introductory survey still forms an essential part of art history...
This essay stems from our concern that art historians still conceive of “The” Survey in terms that p...
Ultimately, what can and should an introductory course in the history of art do? What difference can...
Inspired by partnerships between medical schools and museums that produce measurable outcomes in the...
This article proposes a revised way of approaching the learning outcomes of introductory courses in ...
Art History enrollments at the college level are declining as students flock to STEM majors and perc...
This heuristic, design-based research study examines student perceptions of their learning experienc...
Engaging in the recent tradition of disciplinary and instructional self-critique by art historians t...
Teaching 'outside the classroom' is one of the biggest challenges facing art historians. Students ar...
Humanities courses are often populated with students who primarily take these offerings to meet Gene...
Syllabus for an introductory undergraduate Art History course, surveying the discipline from pre-his...
In this dissertation I argue that the continued dominance of a hegemonic Eurocentric art historical ...
This article examines how the introduction of pedagogical interventions in the art history survey cl...
Student engagement in undergraduate art history survey courses has been a concern of art historians ...