“’The Rhythm of Our Time is Jazz’: Popular Entertainment during the Weimar Republic” examines the widespread interest and influential role held by American ragtime and jazz music throughout German culture from the 1910s until World War II. Many artists incorporated minstrel imagery as a potent indicator of their outsider status during this period or used new materials and rhythmic forms inspired by jazz to fully reflect the technological achievements and dynamic environment of the modern metropolis
The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Late 1930s Ge...
Item does not contain fulltextIn the cultural memory of the Netherlands, the soundtrack of liberatio...
"The Department of Music of the University of Missouri--Columbia announces its sponsorship of a conf...
“’The Rhythm of Our Time is Jazz’: Popular Entertainment during the Weimar Republic” examines the wi...
This dissertation examines the German encounter and engagement with jazz music during the Weimar Rep...
Jazz is widely known to be a formative element in American history, but it also played an important ...
The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this Afr...
International audienceMost of the research on the influence of jazz in art music after World War I h...
Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period. Becaus...
In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of m...
In my paper, I discuss Hitler’s ironclad regime and how jazz music played a role in weakening it. Ja...
The June edition of German History features an article on 'Jazz, Synaesthesia and the History of the...
textThis dissertation traces the perceptual history of jazz in Germany between 1918 and 1960. It arg...
In the early twentieth century jazz was a regionally based, racially defined dance music that featur...
Die Geschichte des Jazz spiegelt sich auch in der literarischen Aneignung dieser Musikrichtung niede...
The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Late 1930s Ge...
Item does not contain fulltextIn the cultural memory of the Netherlands, the soundtrack of liberatio...
"The Department of Music of the University of Missouri--Columbia announces its sponsorship of a conf...
“’The Rhythm of Our Time is Jazz’: Popular Entertainment during the Weimar Republic” examines the wi...
This dissertation examines the German encounter and engagement with jazz music during the Weimar Rep...
Jazz is widely known to be a formative element in American history, but it also played an important ...
The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this Afr...
International audienceMost of the research on the influence of jazz in art music after World War I h...
Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period. Becaus...
In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of m...
In my paper, I discuss Hitler’s ironclad regime and how jazz music played a role in weakening it. Ja...
The June edition of German History features an article on 'Jazz, Synaesthesia and the History of the...
textThis dissertation traces the perceptual history of jazz in Germany between 1918 and 1960. It arg...
In the early twentieth century jazz was a regionally based, racially defined dance music that featur...
Die Geschichte des Jazz spiegelt sich auch in der literarischen Aneignung dieser Musikrichtung niede...
The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Late 1930s Ge...
Item does not contain fulltextIn the cultural memory of the Netherlands, the soundtrack of liberatio...
"The Department of Music of the University of Missouri--Columbia announces its sponsorship of a conf...
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