Add to ORKGThis article provides an overview of the partsongs of Hamish MacCunn and places them within the context of British choral music in the nineteenth century. A complete list of MacCunn\u27s partsongs are included. To access the embedded sound files, access the article via the American Choral Review homepage
Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen ...
One of the most prolific composers of vocal music in the twentieth century, Benjamin Britten, emanci...
Secular male voice choral singing in Britain as a self-regulated, self-financed musical and social o...
This article provides an overview of the partsongs of Hamish MacCunn and places them within the cont...
Hamish MacCunn, born in Greenock in 1868, began composing at an early age and continued to do so unt...
Apart from a single study of Jeanie Deans, MacCunn's music has, to date, never received a detailed e...
Ph. D. Thesis.This study traces the history of choral singing in Newcastle and its environs from 185...
This detailed survey of Stanford's choral music is divided into two parts. Part One outlines those i...
Book review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennif...
In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward El...
Hamilton Harty, a figure readily associated with an assimilation of Irish culture, in 1907 composed ...
This thesis gives a comprehensive account of the vocal music performed in Edinburgh between 1750 an...
Edward MacDowell (1860–1908) was one of the first American-born composers to gain international noto...
The late 19th century was a time when England was seen from the outside as musically unoriginal. The...
This thesis seeks to give a full assessment of a surprisingly and much neglected area of academic re...
Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen ...
One of the most prolific composers of vocal music in the twentieth century, Benjamin Britten, emanci...
Secular male voice choral singing in Britain as a self-regulated, self-financed musical and social o...
This article provides an overview of the partsongs of Hamish MacCunn and places them within the cont...
Hamish MacCunn, born in Greenock in 1868, began composing at an early age and continued to do so unt...
Apart from a single study of Jeanie Deans, MacCunn's music has, to date, never received a detailed e...
Ph. D. Thesis.This study traces the history of choral singing in Newcastle and its environs from 185...
This detailed survey of Stanford's choral music is divided into two parts. Part One outlines those i...
Book review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennif...
In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward El...
Hamilton Harty, a figure readily associated with an assimilation of Irish culture, in 1907 composed ...
This thesis gives a comprehensive account of the vocal music performed in Edinburgh between 1750 an...
Edward MacDowell (1860–1908) was one of the first American-born composers to gain international noto...
The late 19th century was a time when England was seen from the outside as musically unoriginal. The...
This thesis seeks to give a full assessment of a surprisingly and much neglected area of academic re...
Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen ...
One of the most prolific composers of vocal music in the twentieth century, Benjamin Britten, emanci...
Secular male voice choral singing in Britain as a self-regulated, self-financed musical and social o...