This thesis argues that the creation of street level, vigilante heroes The Punisher and Daredevil created by Marvel Comics authors and illustrators in the late 1970s and early 1980s reflected the socio-economic environment of New York City at this same moment in history. By examining an era of New York that was fiscally and socially tense along with the development of characters created by the New York based Marvel Comics, I aim to show how their creation was directly related to the environment which they were produced in
TABLE OF CONTENTS From the Editor’s Desk: More Propaganda, Less Liberalism: Our Ongoing Struggle (p....
My work responds to trauma, systems of power and abuses of power. The pieces give materiality to uns...
The landmark Brown vs. Board of Education decision of 1954, and its subsequent implementation, offer...
This dissertation seeks to shed new light on the moment in American history when the U.S. became an ...
It has changed the landscape of America in just the last eight months. Cries of “We are the 99%” fil...
My thesis involved mixed medium drawings based on written colonial papers regarding the beginning of...
This thesis focuses on two novel-length graphic narratives: Poema a fumetti (1969) by the Italian no...
“Fit to Print: Hudson’s Gentrification in the New York Times, 1985-2016” is a content analysis of 80...
In 2017, The New York Times published an article titled, “Harvey Weinstein Paid Off Sexual Harassmen...
This dissertation builds off the work of Richard Slotkin in examining the relationship between myth-...
This thesis is the culmination of my work as a graphic artist thus far. I chose to investigate the ...
Thesis advisor: Bonnie JeffersonThis paper analyzes the reconstruction of the American identity thro...
This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corpo...
This thesis examines how Shakespearean play-texts are adapted into comic books in order to appeal to...
Superhero narratives mediate what the socio-political climate presents within our cultural history. ...
TABLE OF CONTENTS From the Editor’s Desk: More Propaganda, Less Liberalism: Our Ongoing Struggle (p....
My work responds to trauma, systems of power and abuses of power. The pieces give materiality to uns...
The landmark Brown vs. Board of Education decision of 1954, and its subsequent implementation, offer...
This dissertation seeks to shed new light on the moment in American history when the U.S. became an ...
It has changed the landscape of America in just the last eight months. Cries of “We are the 99%” fil...
My thesis involved mixed medium drawings based on written colonial papers regarding the beginning of...
This thesis focuses on two novel-length graphic narratives: Poema a fumetti (1969) by the Italian no...
“Fit to Print: Hudson’s Gentrification in the New York Times, 1985-2016” is a content analysis of 80...
In 2017, The New York Times published an article titled, “Harvey Weinstein Paid Off Sexual Harassmen...
This dissertation builds off the work of Richard Slotkin in examining the relationship between myth-...
This thesis is the culmination of my work as a graphic artist thus far. I chose to investigate the ...
Thesis advisor: Bonnie JeffersonThis paper analyzes the reconstruction of the American identity thro...
This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corpo...
This thesis examines how Shakespearean play-texts are adapted into comic books in order to appeal to...
Superhero narratives mediate what the socio-political climate presents within our cultural history. ...
TABLE OF CONTENTS From the Editor’s Desk: More Propaganda, Less Liberalism: Our Ongoing Struggle (p....
My work responds to trauma, systems of power and abuses of power. The pieces give materiality to uns...
The landmark Brown vs. Board of Education decision of 1954, and its subsequent implementation, offer...