An Interview with Brandon Bauer and Oliver Ressler on the occasion of his exhibition at St. Norbert College and the University of Wisconsin - Green Bay: Catastrophe Bonds , the first survey of Oliver Ressler‘s work in the United States. The exhibition focuses on forms of grassroots democracy as well as economic and political alternatives to the existing state of global affairs. This interview was published in the book that accompanied the exhibition.https://digitalcommons.snc.edu/faculty_staff_works/1010/thumbnail.jp
Interview with Josephine Meckseper included in the catalogue for Sharjah Biennial 10 "Plot for a Bie...
The paper examines how the Alberta Foundation for the Arts has prioritized economic measures of sust...
Dean Baker, of the Center for Economic and Policy Research, reminds us that globalization and the ex...
An Interview with Brandon Bauer and Oliver Ressler on the occasion of his exhibition at St. Norbert ...
Ele Carpenter reflects on the balance between political and artistic concerns in Oliver Ressler’s co...
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Projects in this collection: FIELD: A Journal of Socially Engaged Art Criticism From https://visarts...
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‘Spiral Bound’ is an ongoing interdisciplinary creative project first exhibited at Meyer Riegger Gal...
Thesis advisor: Judith BookbinderThe Nazis arranged an exhibition of "degenerate" art (Entartete Kun...
When the financial crisis of 2008 exposed the opaque workings of global financial markets, it led to...
Harrell Fletcher with Adam Moser includes a conversation between the two and a series of project cas...
U we Lübken is professor of American History at the Ludwig-Maximilians-University, in Munich. He has...
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Interview with Josephine Meckseper included in the catalogue for Sharjah Biennial 10 "Plot for a Bie...
The paper examines how the Alberta Foundation for the Arts has prioritized economic measures of sust...
Dean Baker, of the Center for Economic and Policy Research, reminds us that globalization and the ex...
An Interview with Brandon Bauer and Oliver Ressler on the occasion of his exhibition at St. Norbert ...
Ele Carpenter reflects on the balance between political and artistic concerns in Oliver Ressler’s co...
This article examines how artists, activism, and works of art may contribute to a more textured unde...
Projects in this collection: FIELD: A Journal of Socially Engaged Art Criticism From https://visarts...
Causing an Effect is a futures exhibition and research project that draws from individual foresight,...
This research is intended to contribute to critical discussion concerning the development of indepen...
‘Spiral Bound’ is an ongoing interdisciplinary creative project first exhibited at Meyer Riegger Gal...
Thesis advisor: Judith BookbinderThe Nazis arranged an exhibition of "degenerate" art (Entartete Kun...
When the financial crisis of 2008 exposed the opaque workings of global financial markets, it led to...
Harrell Fletcher with Adam Moser includes a conversation between the two and a series of project cas...
U we Lübken is professor of American History at the Ludwig-Maximilians-University, in Munich. He has...
Gregory Sholette spoke about ‘Interventionist Art: The Creative Disruption of Everyday Life’ at the ...
Interview with Josephine Meckseper included in the catalogue for Sharjah Biennial 10 "Plot for a Bie...
The paper examines how the Alberta Foundation for the Arts has prioritized economic measures of sust...
Dean Baker, of the Center for Economic and Policy Research, reminds us that globalization and the ex...