Diego Velázquez actively secured a reputation by exploiting one theme, “the concept of glory,” and its application to the two central elements of country and career. The first of these, the glorification of state, is found in the colossal Surrender of Breda while his later painting Las Meninas serves as a tribute to himself and his career. Both of these paintings indicate that Velázquez became increasingly preoccupied with his status as an artist. To that end he utilized original methods as well as borrowed elements from other great canvases in order to elevate the presentation of skill in his art
The article postulates that two famous paintings of the 17th century “The Surrender of Breda” by Di...
Siglo XIX. Forma parte del álbum 26 Annals of the Artists of Spain. Ilustrations. Libr
This research seeks to understand how the Count Duke of Olivares’ political agenda affected the arra...
Vel?zquez (1599-1640) In a Spain dominated by a fervent religiosity, the painter Diego de Silva y V...
During the years that Diego Velázquez occupied the post as pintor principal (court painter) to King ...
The purpose of this paper is to explore the visual representation of dignity, through the particular...
The influence of Diego Velázquez on the history of art cannot be overstated, but studies to date hav...
Esta pesquisa reflete a respeito da possibilidade de se analisar a idéia de tempo na Espanha Barroca...
This dissertation offers an account of counter-reformation mystical texts and praxis with art histor...
Diego de Silva was a painter who has been sometimes mistaken on some news for Velázquez due to the f...
The purpose of this thesis is to question the art historical notion of influences, specifically in t...
This paper aims to examine some examples of Diego Velázquez’s oeuvre that could be interpreted as ge...
Focusing on the figure of Diego Velázquez, this article examines the significance of the notion of i...
Siglo XIX. Forma parte del álbum 26 Annals of the Artists of Spain. Ilustrations. Libr
This research looks to understand both the professional and personal relationships between Spanish B...
The article postulates that two famous paintings of the 17th century “The Surrender of Breda” by Di...
Siglo XIX. Forma parte del álbum 26 Annals of the Artists of Spain. Ilustrations. Libr
This research seeks to understand how the Count Duke of Olivares’ political agenda affected the arra...
Vel?zquez (1599-1640) In a Spain dominated by a fervent religiosity, the painter Diego de Silva y V...
During the years that Diego Velázquez occupied the post as pintor principal (court painter) to King ...
The purpose of this paper is to explore the visual representation of dignity, through the particular...
The influence of Diego Velázquez on the history of art cannot be overstated, but studies to date hav...
Esta pesquisa reflete a respeito da possibilidade de se analisar a idéia de tempo na Espanha Barroca...
This dissertation offers an account of counter-reformation mystical texts and praxis with art histor...
Diego de Silva was a painter who has been sometimes mistaken on some news for Velázquez due to the f...
The purpose of this thesis is to question the art historical notion of influences, specifically in t...
This paper aims to examine some examples of Diego Velázquez’s oeuvre that could be interpreted as ge...
Focusing on the figure of Diego Velázquez, this article examines the significance of the notion of i...
Siglo XIX. Forma parte del álbum 26 Annals of the Artists of Spain. Ilustrations. Libr
This research looks to understand both the professional and personal relationships between Spanish B...
The article postulates that two famous paintings of the 17th century “The Surrender of Breda” by Di...
Siglo XIX. Forma parte del álbum 26 Annals of the Artists of Spain. Ilustrations. Libr
This research seeks to understand how the Count Duke of Olivares’ political agenda affected the arra...