Co-commission - York Late Music and Transit Festival Full programme: Beethoven, Rondo in A, WoO 49 Percy Grainger, My Robin is to the greenwood gone [Settings of Songs and Tunes from William Chappell’s ‘Old English Popular Music’ Nr.2] Michael Finnissy, Beethoven’s Robin Adair (2012-15) (World Premiere) Andrew Toovey, First Out (2016) (World Premiere) Steve Crowther, Piano Sonata No. 3 (World Premiere of revised version) Luke Stoneham, Magenta Cuts (1994) Laurence Crane, Slow Folk Tune: Sheringham (2014
Composition for Contrabass Flute, Cello and Electronics Public Performance (3rd June 2015) and Wo...
How is Stravinky still recognisable even if he “merely” transcribes someone else’s work and orchestr...
My research project explored how smokign relates to gay culture at UIUC and in the C-U area. Accordi...
Full programme of concert: Beethoven, Rondo in A Percy Grainger, My Robin is to the Greenwood gone M...
'Scending' is work for flute, piccolo, alto flute and bass flute (1 player) and button accordion. It...
A review essay of Hans Lindahl, Fault Lines of Globalization (OUP, 2013).Peer reviewe
Richard Corlett looks at the stereotype of the ‘Essex girl’ beyond its portrayal in the media
Small text in four tiny chapters to accompany Rachel Beth Egenhoefer's exhibition of new work, Light...
For my thesis, I will be making a book with note-for-note guitar transcriptions of the 2004 album, E...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
A detailed critique of two articles by Carl Schachter (1994; 1996), this study is concerned with som...
The essay draws on and consolidates the motivations and methodology around a body of practice that i...
An analysis of the soundscapes and music in the Peter Strickland films Katalin Varga (2009), Berberi...
This is the commentary on Richard C. Richards, "Humor and Happiness”, read at the Lighthearted Philo...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Composition for Contrabass Flute, Cello and Electronics Public Performance (3rd June 2015) and Wo...
How is Stravinky still recognisable even if he “merely” transcribes someone else’s work and orchestr...
My research project explored how smokign relates to gay culture at UIUC and in the C-U area. Accordi...
Full programme of concert: Beethoven, Rondo in A Percy Grainger, My Robin is to the Greenwood gone M...
'Scending' is work for flute, piccolo, alto flute and bass flute (1 player) and button accordion. It...
A review essay of Hans Lindahl, Fault Lines of Globalization (OUP, 2013).Peer reviewe
Richard Corlett looks at the stereotype of the ‘Essex girl’ beyond its portrayal in the media
Small text in four tiny chapters to accompany Rachel Beth Egenhoefer's exhibition of new work, Light...
For my thesis, I will be making a book with note-for-note guitar transcriptions of the 2004 album, E...
Despite this surface level volatility, the brothers’ filmography does not feel erratic. On the contr...
A detailed critique of two articles by Carl Schachter (1994; 1996), this study is concerned with som...
The essay draws on and consolidates the motivations and methodology around a body of practice that i...
An analysis of the soundscapes and music in the Peter Strickland films Katalin Varga (2009), Berberi...
This is the commentary on Richard C. Richards, "Humor and Happiness”, read at the Lighthearted Philo...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Composition for Contrabass Flute, Cello and Electronics Public Performance (3rd June 2015) and Wo...
How is Stravinky still recognisable even if he “merely” transcribes someone else’s work and orchestr...
My research project explored how smokign relates to gay culture at UIUC and in the C-U area. Accordi...