In the first two books of her MaddAdam series (a projected trilogy), Margaret Atwood explores a series of events from three very different perspectives. A close reading of the two texts suggests that the specific focalizers chosen, and their very different ways of perceiving the world around them, are central issues in the novels. In Oryx and Crake, Atwood establishes the apocalypse as a problem of dystopian vision through the book\u27s deeply flawed focalizer. In The Year of the Flood two alternative visions are offered in order to rehabilitate the perceptual problems of the first text. In the three chapters of this paper, I will explore the devices used to establish each focalizer\u27s specific vision, the ways in which each focalizer vie...
A Brief Summary In this master thesis I investigate how dystopic and utopic elements unfold in the t...
This study considers the way in which Margaret Atwood’s post-apocalyptic MaddAddam Trilogy functions...
This text examines and interrogates the presence of the new term “Capitalocene identity” in Margaret...
Who sees in Atwood’s MaddAddam trilogy is fairly clear; who tells is trickier. In a subtle move at t...
This thesis explores Atwood\u27s depiction of gender in Oryx and Crake and The Year of the Flood. In...
The themes of utopia/dystopia and apocalypse are becoming increasingly more frequent in literature, ...
Margaret Atwood’s Oryx and Crake (2003) and The Year of the Flood (2009) are the first and second no...
A Brief Summary In this master thesis I investigate how dystopic and utopic elements unfold in the t...
The developing knowledge of life sciences is at the crux of Margaret Atwood\u27s Oryx and Crake as s...
This thesis is focussed on Margaret Atwood’s MaddAddam trilogy: Oryx and Crake (2003) The Year of th...
Cli-fi is an innovative genre of fiction that modernizes climate science into human stories. Writers...
In her speculative fiction novel, Oryx and Crake, Atwood explores and challenges readers with vision...
The study attempts to analyze Margaret Atwood Oryx and Crake in the light of Baudrillard Theory. The...
Master`s thesis in English (EN501)This thesis explores Margaret Atwood’s novels Oryxand Crake (2003)...
Margaret Atwood's Oryx and Crake turns on a number of myths or archetypes. With the depiction of clo...
A Brief Summary In this master thesis I investigate how dystopic and utopic elements unfold in the t...
This study considers the way in which Margaret Atwood’s post-apocalyptic MaddAddam Trilogy functions...
This text examines and interrogates the presence of the new term “Capitalocene identity” in Margaret...
Who sees in Atwood’s MaddAddam trilogy is fairly clear; who tells is trickier. In a subtle move at t...
This thesis explores Atwood\u27s depiction of gender in Oryx and Crake and The Year of the Flood. In...
The themes of utopia/dystopia and apocalypse are becoming increasingly more frequent in literature, ...
Margaret Atwood’s Oryx and Crake (2003) and The Year of the Flood (2009) are the first and second no...
A Brief Summary In this master thesis I investigate how dystopic and utopic elements unfold in the t...
The developing knowledge of life sciences is at the crux of Margaret Atwood\u27s Oryx and Crake as s...
This thesis is focussed on Margaret Atwood’s MaddAddam trilogy: Oryx and Crake (2003) The Year of th...
Cli-fi is an innovative genre of fiction that modernizes climate science into human stories. Writers...
In her speculative fiction novel, Oryx and Crake, Atwood explores and challenges readers with vision...
The study attempts to analyze Margaret Atwood Oryx and Crake in the light of Baudrillard Theory. The...
Master`s thesis in English (EN501)This thesis explores Margaret Atwood’s novels Oryxand Crake (2003)...
Margaret Atwood's Oryx and Crake turns on a number of myths or archetypes. With the depiction of clo...
A Brief Summary In this master thesis I investigate how dystopic and utopic elements unfold in the t...
This study considers the way in which Margaret Atwood’s post-apocalyptic MaddAddam Trilogy functions...
This text examines and interrogates the presence of the new term “Capitalocene identity” in Margaret...