...is a novel that combines literature and art to create a unique postmodern object. It was published just over a decade ago, and in that time numerous scholars and students have written papers and articles on it. Within these articles, the themes are usually about deconstruction, the house as a digital object, the house\u27s lack of homeliness, or characters who claim authorial presence. Danielewski distance himself from that role. The house and its impossible labyrinth are the central feature of the book. A house should provide stability, but this house shifts its rooms and walls at random. A house should protect its occupants, but this one kills people. This house links itself into an infinite amount of information through its use of the...
This thesis takes a look at three major texts: Mark Z. Danielewski’s House of Leaves (2000), Charlot...
Since the turn of the millennium there has been an emergence of novels that incorporate unorthodox p...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...
Mark Z. Danielewski's House of Leaves has succeeded in placing itself between the two traditionally ...
Mark Z. Danielewski’s avant-garde novel House of Leaves occupies a liminal space in the world of the...
This paper examines the spatial model of a house as a labyrinth in Mark Z. Danielewski’s experimenta...
'This is not for you' is the dedication in Mark Z. Danielewski's House of Leaves and reveals that Ho...
In his debut novel, House of Leaves (2000, Mark Danielewski created a unique work of art, incorporat...
In Mark Danielewski’s experimental novel House of Leaves (2000), space is a crucial concern. Yet, as...
Mark Z. Danielewski is one of the central American figures within the field of experimental print fi...
El relato de casas encantadas aparece de forma recurrente en las narrativas fantástica y de terror. ...
Mark Z. Danielewski’s novel, House of Leaves, is a narratively complex and typographically experimen...
This paper’s aim is to present Mark Danielewski’s highly acclaimed first novel, House of Leaves, by ...
Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuou...
In Mark Z. Danielewski’s House of Leaves, the architecture of the family is scrutinised and stretche...
This thesis takes a look at three major texts: Mark Z. Danielewski’s House of Leaves (2000), Charlot...
Since the turn of the millennium there has been an emergence of novels that incorporate unorthodox p...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...
Mark Z. Danielewski's House of Leaves has succeeded in placing itself between the two traditionally ...
Mark Z. Danielewski’s avant-garde novel House of Leaves occupies a liminal space in the world of the...
This paper examines the spatial model of a house as a labyrinth in Mark Z. Danielewski’s experimenta...
'This is not for you' is the dedication in Mark Z. Danielewski's House of Leaves and reveals that Ho...
In his debut novel, House of Leaves (2000, Mark Danielewski created a unique work of art, incorporat...
In Mark Danielewski’s experimental novel House of Leaves (2000), space is a crucial concern. Yet, as...
Mark Z. Danielewski is one of the central American figures within the field of experimental print fi...
El relato de casas encantadas aparece de forma recurrente en las narrativas fantástica y de terror. ...
Mark Z. Danielewski’s novel, House of Leaves, is a narratively complex and typographically experimen...
This paper’s aim is to present Mark Danielewski’s highly acclaimed first novel, House of Leaves, by ...
Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuou...
In Mark Z. Danielewski’s House of Leaves, the architecture of the family is scrutinised and stretche...
This thesis takes a look at three major texts: Mark Z. Danielewski’s House of Leaves (2000), Charlot...
Since the turn of the millennium there has been an emergence of novels that incorporate unorthodox p...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...