It is the 1880s in Brighton, England, on the coast of the English Channel. A young boy depicts a scene of some of the men who work at sea. “Nearly all my sailor friends on the beach were tattooed. Of course, their tattoos were crude: just an anchor, a primitive attempt at a portrait of Lord Nelson or a declaration of ‘True Love’ made by some other Jack Tar ‘’teween the heaving decks of a sailing-ship’. But a few had fine tattoos, made by Japanese horis or Burmese craftsmen when their ships had docked at Rangoon or Akyab or Yokohama”.1 That young boy, George Burchett, would later practice the trade of tattooing, join the Royal Navy, and become a leading figure in England’s tattoo industry in the first half of the twentieth century. This exam...
In 1881, a writer in the Saturday Review called tattooing ‘an art without a history’. ‘No-one’, it w...
This thesis explores the role of Euromerican maritime tattoos in Herman Melville’s early sea fiction...
This chapter investigates the figure of the facially tattooed white sailor in colonial literature fr...
It is the 1880s in Brighton, England, on the coast of the English Channel. A young boy depicts a sce...
The National Maritime Museum in Greenwich owns a 1941 portrait bust by Charles Thomas Wheeler of Cap...
I have told a story on previous occasions that I would like to tell again here. I hope that those wh...
Tattoos are more popular than they have ever been; however, the history of tattooing is rich and div...
Despite its rich culture and aesthetic traditions, there has never before been an art history of the...
This chapter investigates the figure of the facially tattooed white sailor in colonial literature fr...
This article is based on a unique dataset of 75,448 written descriptions of tattoos on British crimi...
This article is based on a unique dataset of 75,448 written descriptions of tattoos on British crimi...
Presents a holistic look at the world of tattoo. Covers the history of the practice of tattooing in ...
In different parts of the world, tattoos historically have been expression of the socio-cultural ide...
Literature on American tattooing appears in varied forms, from the scholarly journals of anthropolog...
In the Western world, tattooing began as a mechanism for marking slaves and prisoners in Ancient Gre...
In 1881, a writer in the Saturday Review called tattooing ‘an art without a history’. ‘No-one’, it w...
This thesis explores the role of Euromerican maritime tattoos in Herman Melville’s early sea fiction...
This chapter investigates the figure of the facially tattooed white sailor in colonial literature fr...
It is the 1880s in Brighton, England, on the coast of the English Channel. A young boy depicts a sce...
The National Maritime Museum in Greenwich owns a 1941 portrait bust by Charles Thomas Wheeler of Cap...
I have told a story on previous occasions that I would like to tell again here. I hope that those wh...
Tattoos are more popular than they have ever been; however, the history of tattooing is rich and div...
Despite its rich culture and aesthetic traditions, there has never before been an art history of the...
This chapter investigates the figure of the facially tattooed white sailor in colonial literature fr...
This article is based on a unique dataset of 75,448 written descriptions of tattoos on British crimi...
This article is based on a unique dataset of 75,448 written descriptions of tattoos on British crimi...
Presents a holistic look at the world of tattoo. Covers the history of the practice of tattooing in ...
In different parts of the world, tattoos historically have been expression of the socio-cultural ide...
Literature on American tattooing appears in varied forms, from the scholarly journals of anthropolog...
In the Western world, tattooing began as a mechanism for marking slaves and prisoners in Ancient Gre...
In 1881, a writer in the Saturday Review called tattooing ‘an art without a history’. ‘No-one’, it w...
This thesis explores the role of Euromerican maritime tattoos in Herman Melville’s early sea fiction...
This chapter investigates the figure of the facially tattooed white sailor in colonial literature fr...