When Hair premiered on Broadway in 1968, the musical garnered attention for its reflection the current cultural moment. Critics acknowledged this congruence of form, content, and zeitgeist as the production’s greatest asset. This alignment with the Vietnam era proved a liability nine years later when Hair received its first Broadway revival, particularly when the musical’s authors replaced many of the libretto’s cultural references with allusions to the 1970s, further illuminating the musical’s inherently time-bound qualities
Bringing together a group of international scholars from diverse academic backgrounds, this edited c...
Why do so many works of musical theater, which express characters and ideas through fantastical song...
From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shake...
With a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot, Høír opened on Br...
In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied H...
"July 2014."Dissertation Supervisor: Dr. Cheryl Black.Includes vita.As musical theatre scholars Stac...
This thesis traces how the artistry of the Broadway musical reflects the condition of the American a...
In the late 1960s and early 1970s, gay liberation activists and the gay press repeatedly praised the...
This dissertation proposes that we consider Broadway’s history and genre development to be periodic ...
This dissertation explores seven Hollywood adaptations of Broadway musicals from the 1960s and early...
PhDThis thesis considers the discrete, historically-specific theatrical and musical sub-genre of ‘Ro...
In 1956 Leonard Bernstein opined to his Omnibus audience that “the American musical theater has come...
This paper discussed the interdisciplinary study of costuming in general and specifically that of th...
Title from PDF of title page (University of Missouri--Columbia, viewed on May 14, 2013).The entire t...
Critical discourse regarding musical theatre takes, for the most part, the form of a profound silenc...
Bringing together a group of international scholars from diverse academic backgrounds, this edited c...
Why do so many works of musical theater, which express characters and ideas through fantastical song...
From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shake...
With a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot, Høír opened on Br...
In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied H...
"July 2014."Dissertation Supervisor: Dr. Cheryl Black.Includes vita.As musical theatre scholars Stac...
This thesis traces how the artistry of the Broadway musical reflects the condition of the American a...
In the late 1960s and early 1970s, gay liberation activists and the gay press repeatedly praised the...
This dissertation proposes that we consider Broadway’s history and genre development to be periodic ...
This dissertation explores seven Hollywood adaptations of Broadway musicals from the 1960s and early...
PhDThis thesis considers the discrete, historically-specific theatrical and musical sub-genre of ‘Ro...
In 1956 Leonard Bernstein opined to his Omnibus audience that “the American musical theater has come...
This paper discussed the interdisciplinary study of costuming in general and specifically that of th...
Title from PDF of title page (University of Missouri--Columbia, viewed on May 14, 2013).The entire t...
Critical discourse regarding musical theatre takes, for the most part, the form of a profound silenc...
Bringing together a group of international scholars from diverse academic backgrounds, this edited c...
Why do so many works of musical theater, which express characters and ideas through fantastical song...
From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shake...