Add to ORKGThe Final Act of the Conference on Security and Co-Operation in Europe, often referred to as the Helsinki Accords, has important implications for art and artists. The Final Act applies to three broad categories of art law issues: cultural cooperation and exchange of cultural material; the rights of individual artists; and other international cooperation. This study will examine each of these categories in the context of a current or recent problem, consider pertinent provisions of the Final Act, and conclude with a brief recommendation and forecast
A Review of Human Rights, International Law and the Helsinki Accord edited by Thomas Buergentha
The Conference on Security and Cooperation in Europe, which opened at Helsinki on 3 July 1973 and co...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...
Initial formal evaluation of the implementation of the Final Act of the Conference on Security and C...
This issue of the Vanderbilt Journal of Transnational Law is a symposium devoted to human rights asp...
The ten principles enumerated in the Helsinki Final Act mark the beginning of a process that could i...
This symposium commemorates the fifth anniversary of the signing of the Final Act of the Conference ...
Since the ratification in Helsinki in 1975 of the Final Act of the Conference on Security and Cooper...
After five years of experience with the Helsinki Final Act, the thirty-five signatory countries are ...
Principle VII and Basket Three of the Final Act of the Helsinki Summit of 1975 expressed the commitm...
The on-going nature of the Final Act has given the endeavor initiated at Helsinki the characteristic...
Preparatory talks for the Conference on Security and Cooperation in Europe began in November 1972, i...
The European Society of International Law (ESIL) is known for its particularly dynamic character. Af...
This article tests the proposition that there is inherent conflict between the principles of the Hel...
A casualty, sorely if not fatally wounded, of the Soviet armed intervention in Afghanistan is the on...
A Review of Human Rights, International Law and the Helsinki Accord edited by Thomas Buergentha
The Conference on Security and Cooperation in Europe, which opened at Helsinki on 3 July 1973 and co...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...
Initial formal evaluation of the implementation of the Final Act of the Conference on Security and C...
This issue of the Vanderbilt Journal of Transnational Law is a symposium devoted to human rights asp...
The ten principles enumerated in the Helsinki Final Act mark the beginning of a process that could i...
This symposium commemorates the fifth anniversary of the signing of the Final Act of the Conference ...
Since the ratification in Helsinki in 1975 of the Final Act of the Conference on Security and Cooper...
After five years of experience with the Helsinki Final Act, the thirty-five signatory countries are ...
Principle VII and Basket Three of the Final Act of the Helsinki Summit of 1975 expressed the commitm...
The on-going nature of the Final Act has given the endeavor initiated at Helsinki the characteristic...
Preparatory talks for the Conference on Security and Cooperation in Europe began in November 1972, i...
The European Society of International Law (ESIL) is known for its particularly dynamic character. Af...
This article tests the proposition that there is inherent conflict between the principles of the Hel...
A casualty, sorely if not fatally wounded, of the Soviet armed intervention in Afghanistan is the on...
A Review of Human Rights, International Law and the Helsinki Accord edited by Thomas Buergentha
The Conference on Security and Cooperation in Europe, which opened at Helsinki on 3 July 1973 and co...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...