Notes that in rehearsals and performances, a jumble of silences are encountered. Discusses silence in the following situations: as frustration; as imposition; as invisibility; as power; as pleasure; as safety; as humility; as necessity; and as potential. Contends that when dramaturgs enter into conversation and break silence, they must carefully choose how to do so. (PM
In a time where television is the backdrop to our daily lives, where communication happens through m...
The article engages with the problematic nature of silence and its tendency to trouble qualitative i...
Historically, the field of Rhetoric and Composition has participated in little or no investigation o...
Technical and rhetorical devices used by Giraudoux to indicate silence varyduring its dramatic produ...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
My practice-led thesis, ‘A Dramaturgy of Silence: Composing the Radio Play’, develops the argument t...
While emerging scholars in applied linguistics are beginning to widen the scope of the field to incl...
“Muteness and Modern Drama” asks what became of the mute figure and, broadly, muteness on the melodr...
The introduction of the thesis presents the poetics of silence in tragedy, the framework of the thes...
After a long period of neglect, silence is currently receiving an increased amount of attention in t...
The stage is no place for silence. The silence is no place for a stage. Like a white page upon which...
The healthiest type of dramatic silence is that which points to the spoken word -- the silences of ...
This thesis is an exploration of the linguistic and political implications of conversational silence...
THE QUIETUDE PROJECT - The Threat of Silence Performance A small scale practice-led research investi...
In Part I, I note the difficulty in distinguishing between silencing and silence as resistance. This...
In a time where television is the backdrop to our daily lives, where communication happens through m...
The article engages with the problematic nature of silence and its tendency to trouble qualitative i...
Historically, the field of Rhetoric and Composition has participated in little or no investigation o...
Technical and rhetorical devices used by Giraudoux to indicate silence varyduring its dramatic produ...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
My practice-led thesis, ‘A Dramaturgy of Silence: Composing the Radio Play’, develops the argument t...
While emerging scholars in applied linguistics are beginning to widen the scope of the field to incl...
“Muteness and Modern Drama” asks what became of the mute figure and, broadly, muteness on the melodr...
The introduction of the thesis presents the poetics of silence in tragedy, the framework of the thes...
After a long period of neglect, silence is currently receiving an increased amount of attention in t...
The stage is no place for silence. The silence is no place for a stage. Like a white page upon which...
The healthiest type of dramatic silence is that which points to the spoken word -- the silences of ...
This thesis is an exploration of the linguistic and political implications of conversational silence...
THE QUIETUDE PROJECT - The Threat of Silence Performance A small scale practice-led research investi...
In Part I, I note the difficulty in distinguishing between silencing and silence as resistance. This...
In a time where television is the backdrop to our daily lives, where communication happens through m...
The article engages with the problematic nature of silence and its tendency to trouble qualitative i...
Historically, the field of Rhetoric and Composition has participated in little or no investigation o...
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