Add to ORKGThe purpose of this internship report is to analyze the Faux/Real Festival of Arts in regards to my Arts Administration learning experiences. In addition, I will describe my internship involvement with Faux/Real and examine the success of its first year. This report also contains my S.W.O.T. analysis of the festival, highlighting its strengths, weaknesses, opportunities, and threats. Finally, I assert best practices for festival management and programming, and offer recommendations to Faux/Real on how they could incorporate those practices that they have not already implemented to strengthen the festival
This report documents a one semester internship with the Arts Council of New Orleans. Through a deta...
This thesis is a description of my graduate internship with the Louisiana Philharmonic Orchestra. Th...
From May 11, 1987, through August 14, 1987, Paul Bossert interned at the Theatre of the Performing A...
The purpose of this internship report is to analyze the Faux/Real Festival of Arts in regards to my ...
The internship report contains an analysis of The Jazz & Heritage Festival and Foundation as applied...
This report documents the student\u27s internship experiences of producing a professional theatrical...
This report follows an internship, of 480 hours in length, completed at The New Orleans Film Festiva...
This report presents a reflection and analysis of my internship with the Tennessee Williams/New Orle...
I was an intern with the Foundation from January 2003 to October 2003. During this period, I assiste...
From fall 2003 to spring 2004 I served as an intern producing ART JAM, a free, interactive children\...
On May 6, 2002 I began my internship with the Arts Council of New Orleans. The Arts Council of New O...
In her report, Natalie Scola discusses her two experiential-learning opportunities: her internship i...
This detailed report of a registration internship at the New Orleans Opera Association includes an o...
This report is a description of a three-month internship from May 21, 2001 through August 21, 2001 w...
From May 19 through August 20, 1993, Craig Cunningham interned at the Arts Council of New Orleans an...
This report documents a one semester internship with the Arts Council of New Orleans. Through a deta...
This thesis is a description of my graduate internship with the Louisiana Philharmonic Orchestra. Th...
From May 11, 1987, through August 14, 1987, Paul Bossert interned at the Theatre of the Performing A...
The purpose of this internship report is to analyze the Faux/Real Festival of Arts in regards to my ...
The internship report contains an analysis of The Jazz & Heritage Festival and Foundation as applied...
This report documents the student\u27s internship experiences of producing a professional theatrical...
This report follows an internship, of 480 hours in length, completed at The New Orleans Film Festiva...
This report presents a reflection and analysis of my internship with the Tennessee Williams/New Orle...
I was an intern with the Foundation from January 2003 to October 2003. During this period, I assiste...
From fall 2003 to spring 2004 I served as an intern producing ART JAM, a free, interactive children\...
On May 6, 2002 I began my internship with the Arts Council of New Orleans. The Arts Council of New O...
In her report, Natalie Scola discusses her two experiential-learning opportunities: her internship i...
This detailed report of a registration internship at the New Orleans Opera Association includes an o...
This report is a description of a three-month internship from May 21, 2001 through August 21, 2001 w...
From May 19 through August 20, 1993, Craig Cunningham interned at the Arts Council of New Orleans an...
This report documents a one semester internship with the Arts Council of New Orleans. Through a deta...
This thesis is a description of my graduate internship with the Louisiana Philharmonic Orchestra. Th...
From May 11, 1987, through August 14, 1987, Paul Bossert interned at the Theatre of the Performing A...