Add to ORKGMy work in painting and sculpture is an ongoing problem-solving activity in which the issues of how to present images or objects, and how to make a compelling piece of art, frequently clash. By combining a sense of earnestness in the means in which my work is made with self-conscious and deliberately awkward choices, my work occupies a place between pleasureful, visual abandon and the calculated, humorously abject. Through combinations of disparate elements, formal choices, and attitudes towards subject matter, I am making work that seeks to create new images within contradictions
This is Only a Test, a collection of original poems, explores perception: how we view ourselves both...
The Sublime as Model: Formal Complexity in Joyce, Eisenstein and Stockhausen, undertakes an investig...
This practice-led research examines how selected contemporary artists work with soft sculpture to el...
The absurd perpetual struggle, although entirely without hope of resolution, is the key to life\u27s...
My practice-led research explores modes of painting where restrictions on materials and methods gene...
The conceptual foundation for my work lies in the idea of interaction. I work towards exposing t...
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.Includes bibliogra...
The circle is a primary shape, a closed curve that divides a plane into two regions: an interior and...
In this thesis body of work, I have interacted and collaborated with five friends to create images e...
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibli...
Who’s He When He’s at Home? is an attempt to explore the expressive capabilities of language and des...
This document attempts to capture the main ideas and evolution of my art making process during the t...
This thesis traces the trajectory of Chen Gu’s work over a three year period, looking at major influ...
The focus of my thesis is to examine the noteworthy role that three-dimensional zoomorphic figures p...
I explore time, memory, and the artist’s ability to convey experience through autobiographical photo...
This is Only a Test, a collection of original poems, explores perception: how we view ourselves both...
The Sublime as Model: Formal Complexity in Joyce, Eisenstein and Stockhausen, undertakes an investig...
This practice-led research examines how selected contemporary artists work with soft sculpture to el...
The absurd perpetual struggle, although entirely without hope of resolution, is the key to life\u27s...
My practice-led research explores modes of painting where restrictions on materials and methods gene...
The conceptual foundation for my work lies in the idea of interaction. I work towards exposing t...
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.Includes bibliogra...
The circle is a primary shape, a closed curve that divides a plane into two regions: an interior and...
In this thesis body of work, I have interacted and collaborated with five friends to create images e...
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibli...
Who’s He When He’s at Home? is an attempt to explore the expressive capabilities of language and des...
This document attempts to capture the main ideas and evolution of my art making process during the t...
This thesis traces the trajectory of Chen Gu’s work over a three year period, looking at major influ...
The focus of my thesis is to examine the noteworthy role that three-dimensional zoomorphic figures p...
I explore time, memory, and the artist’s ability to convey experience through autobiographical photo...
This is Only a Test, a collection of original poems, explores perception: how we view ourselves both...
The Sublime as Model: Formal Complexity in Joyce, Eisenstein and Stockhausen, undertakes an investig...
This practice-led research examines how selected contemporary artists work with soft sculpture to el...